Wednesday, 19 July 2017

Ease into Motherhood

Sewing and small children. In many ways, they seem to be sworn enemies of one another. Finding the physical and mental space to sew, whilst being present and available for kids who depend on you for pretty much everything sounds like an impossible task, or at least a recipe for disappointment and frustration. I often hear of women who used to sew before they had children, then stopped, and are trying to get back into it now that their children are older. I can totally understand the decision to not even bother trying to get any sewing done for the duration of your children's early childhoods. But for me, that's not an option, sewing is too big a part of my life. So today I want to talk about why and how I manage to sew whilst being a mum to two tiny peops. 

The prompt for this post came from an invitation to take part in 'Ease-in to Motherhood': a sewists' celebration of motherhood and the changes it brings to our lives, created and hosted by Monserratt, Jodi and Erin. Read here for the full details of this important and beautiful initiative. The motivation to create connection between mothers who sew is similar to my own reasons for setting up the recent dribble bib sewing swap (check out #greatsewingbibswap on Instagram). Anyways, the organisers of Ease-in Motherhood have left it super open about what to write about in relation to these topics, and at first I felt pretty overwhelmed as I have SO MUCH I want to say about all of it! A couple of months ago I felt a blog post brewing about my disgust at the damaging concept of 'bouncing back' after a pregnancy and birth, but I just read Jodi's touching piece on this subject in which she handles it with much more grace than my bile-filled rant probably would have done! So on with my contribution...

Somehow, I've become a stay-at-home-mum who does bits of paid work at the weekends. I never planned to be a SAHM. When Pat and I talked about how we saw our family operating before we had Dolores, we agreed to share the childcare and our freelance work endeavours 50/50, and to keep our child/children home with us rather than in childcare until they were about three years old. But the financial realities were such that two part-time freelance-whatever-you'd-call-what-we-do/did wasn't bringing in enough to live in this pricey part of a pricey country. So I ended up taking on the lion share of the childcare as Pat went out to work full-time, and things will probably stay this way until they are both at school. And the truth is, being a stay-at-home-mum is freaking hard, the hardest job I've ever, and will ever do, I have no doubt. One of the things about being a SAHM (or a SAHD, or any other type of full-time carer), is that no matter how many playdates, playgroups, playgrounds, classes or activities you get involved in, there is A LOT of being stuck at home involved. What's more, you are ALWAYS on call. I find it can be incredibly claustrophobic, and as an escape I have sewing. 

(Frankie caught trying to mess with my sewing machine)

So, sewing. I have to admit that my current relationship with sewing is bordering on compulsive. Working on sewing projects, having something to push forward with, has become even more important to me since having children than before. I'm not sure if the amount I think about (if not actively doing) sewing is healthy, but it is helping me get through this insanely intense part of motherhood so I can't see it changing for the foreseeable future. Sewing accesses a creative part of myself, a need to make stuff with my hands, that has always been part of who I am. And clothing has been the main way that I interpret and have a dialogue with society and popular culture since I was a teenager. 

But why has my need to sew amped up so much since becoming a mum? Partly, I think it's the desire to do something that doesn't get almost immediately undone (laundry, washing up, tidying etc.) but I'm also guessing that it's because I don't have much else to get my teeth into at the moment: my 'career' has somewhat stalled, I'm not developing any new classes to teach and I no longer organise the craft market I set up in 2010. And the other things I'm really inspired to do, like planning and going on trips and experimenting with growing food, are currently hampered by a lack of funds and any outside space. 

And then there's the final product. I get a lot of joy and pride from opening up my wardrobe and seeing that more than 90% has been made by me: that I have chosen how I wish to present myself to the world (which I then temper with the realities of my day-to-day life) and made it myself. Or to watch my kids running around having a crazy time, or contentedly chewing on a lego brick, whilst wearing something I made them. 

However, it's hard to square all this sewing that I'm doing (or planning to do) with my desire to live a vaguely sustainable life that does NOT include the constant acquisition of 'stuff'. So in an attempt to justify my out-put, I'm very careful to only work on garments and accessories for myself and my kids that will get used a lot, and I try to sew with my existing fabric stash or with secondhand textiles for a good proportion of my projects (which I know I could do better at). 

(sleepy faces selfie)

So how do I get the sewing get done with these small peops about? Mainly in my head. I'm mentally present when I'm with my kids and they want me to engage with them, but when I'm doing boring SAHM-related stuff like cleaning the kitchen, or breastfeeding in the middle of the night, I'll often be mulling over the next few steps of my current sewing project, or what I should use a certain piece of fabric for. So when they are in bed, or when one is at nursery and other is napping, I can ATTACK. I'm sure most people, including new(-ish) parents, will tell you that they are so much more productive with their spare time once it has become severely limited. 

But breaking it down further, I'd say that I find two types of chances for sewing. There's the longer stretches lasting an hour or two, like after they're in bed and the tidying up is done, or during a Frankie-nap on a Dolores-nursery day. (The annoying thing is that Frankie sleeps in our bedroom, which is where my sewing table also lives, so I have to remember to take everything that I'll need for the sewing sesh out of there and into the lounge before putting him down.) And then there's the micro-sewing opportunities. These are the teensy windows of time in which you can do something small to aid your project. Like the incredibly rare times that they are both playing and no one needs me, I might change over the threads on my overlocker. Or whilst I'm waiting for the potatoes to boil, I might pin a sleeve into an armhole. Often I'll do other SAHM-related activities in those micro-windows, but the thing is that there are always SAHM-related activities you could find to do, so sometimes I claim the windows for myself and my mental health instead.

I've written this blog post like I undertake my sewing projects: in chunks of time here and there, so it's been on my mind for a while. And my conclusion is that I have not drawn a conclusion. I don't know if my current relationship with sewing is entirely positive, but it seems to be serving a necessary purpose. And I guess there could be worse things to be addicted to!

I'd love to know your thoughts on your relationship to sewing, particularly through motherhood. Did you manage to maintain one? If so, any tips? How has it changed as your kids have got older? Did you ever find yourself getting a bit obsessed with sewing when you were going through a particularly tricky or intense stage of your life? 

Thursday, 13 July 2017

Flora and Fauna Secret Pyjamas

So, having fallen hard for Made by Rae's Luna pants pattern, it'll be little surprise to learn that another pair has been whipped up already. But before I made my second pair, I was a good girl and went back and fixed the issues I had with the stress points on my anchor pair. 

Thanks everyone who left a comment making suggestions on how I could both fix that pair, and avoid the issue with future versions. Want to know which piece of advice I implemented? ALL OF IT!!! First, I cut narrow strips of fusible interfacing and applied them to both sides of the seam where the stress points had appeared. I then restitched the seams slightly inside the original row of stitching, which kind of 'ate up' the bits where the fabric was coming apart (unfortunately I couldn't let out the side seams to compensate for this slight reduction in fabric around the hips because of the in-seam pockets). Finally, I topstitched the rise seam allowance down to one side to reinforce the whole thing, and after a couple of wears, these steps seem to have fixed the issue with no further signs of stress so far.... But to err on the side of caution, I took another piece of advice and chose a size Medium, rather than the Small, for my next pair.


Starting with the size Medium has obviously given a baggier silhouette to this second pair. I think I still prefer the look of the smaller, less-voluminous anchor pair, but I didn't want to wreck this amazing fabric if a repeat of the stress points occurred, so I'm trying to embrace this look. To avoid adding any more fullness around the hips, I didn't bother with the in-seam pockets this time. I know that omitting pockets would be close to blasphemy to some sewers/sewists! I like having pockets in my anchor pair, but the finish on this second pair definitely looks sleeker without. Plus, without them, this was a super-quick project. Aside from not bothering with the pockets, the only other pattern mod I made was to shorten the leg length by about 4cm. 


A couple of months ago Claire, Stevie and I organised a little South Coast sewing meetup. We visited the soon-to-be vacated storage space of Ditto fabrics, and Fabric Godmother's unit/treasure trove. We all came away from the latter with a goodie bag that included 2m of this A-MAZING Cobra corsage cotton lawn. I had been taken with this fabric at a previous Fabric Godmother open day, but had been focussing on purchases for specifics projects at that time. To have acquired some cost-and-therefore-guilt-free, was such a treat! An Instagram thread between the meetup attendees followed about what we planned to make with our pieces, but so far I only know of Claire's epically awesome kimono to have been realised from the fabric we were given.

What I particularly love about this fabric is the fine detail of the printed illustrations. They make me think of Victorian tomes cataloging flora and fauna, the type that might exist at the Natural History museum. I'm actually wearing these trousers now and keep finding myself staring at the veins of a leaf or the scales on the snake. 

As for the fabric itself, it's pretty perfect for this trouser pattern. It's light-weight enough to feel airy when worn on a hot day and to hang well with this type of trouser style, but it's also opaque so no undies are on show. Plus, it's a natural fibre, yet doesn't seem to crease. Hurrah! 


If my anchor Lunas were a major style departure, then I'm taking the journey further still with these. I'm totally in love with them, but because they're not my usual look, they are pretty much wardrobe orphans. I have only one breastfeeding top that works with them, so I'm currently planning a couple of simple tops that will look good with these and other things in my wardrobe. 

Friday, 7 July 2017

Leopard Geranium Dress

Yep. I can't lie, it's another Geranium dress. Even though I've already made about seven of these already, and have even taught other people to make them in a sewing class, this project still had some lessons to teach me. 

(image source: Made by Rae)


I've waxed lyrical about this pattern a number of times before, but I'll say it again: I really love all the different design options included. It makes the planning stage of your project even more fun than usual. For this version, I decided to try the faux-cap sleeve option for the first time, along with the U-shaped neckline cut out and the pleated skirt (minus the side seam pockets). I also added some black shop-bought piping in the bodice seam to add some interest, and to match the back buttons (you'll have to trust me on that because I forgot to photograph the back). This dress pattern isn't the quickest make ever, but it is super satisfying and you're left with such a classic, well-proportioned garment. 

As you can see, the seasonal suitability of this dress pattern can be extended when worn with a long-sleeved t-shirt and tights underneath. Since I made this dress Rae has released a Geranium expansion pack which includes long-sleeved options. Bring on the Autumn sewing plans....


When I was pregnant last year (was that really only a year ago?!) we chose to find out the gender at the 20 week scan, which I duly announced to the world. The incredibly lovely Josie from Fabric Godmother then sent me a bundle of fabric and a sewing pattern for making into boy clothes (a lot of the fabric became this little selection). Because she is so thoughtful, Josie also included a metre of this coral-y/orange leopard print twill (sadly no longer available) to make something for Dolores so she wouldn't be jealous!

When I received it, it had a crispy handle which softened a bit after a pre-wash. I must have chosen the design elements based on my initial assessment of the fabric, thinking the stiffness would hold the U-shape and pleats nicely. Subsequent washes has softened the fabric further still, and revealed that it is actually very drape-y, and I've subsequently regretted those choices. Sad face. 


This dress has been worn approx. three hundred times since these pictures were taken. Dolores probably chooses so often because the fabric's weight and drape make it pleasing for twirling around in! Sadly, the U-shape at the neckline has stretched out a lot (despite the interfacing used around that area) and the pleats are even less defined. I regret choosing to include any kind of cut out, and for not making the gathered skirt instead. So my takeaway here is: choose what you're going to make from a piece fabric based on what it's like AFTER it's been washed, not BEFORE. My other lesson, that I think I probably already knew, is this: no matter how much faff piping is, including it is always the right decision.

Saturday, 24 June 2017

Luna Mission: Secret Pyjamas

So this is pretty major for me. These trousers are a massive departure from an aesthetic that I've been pretty dedicated to for the best part of a decade. The casual retro/Rockabilly-lite tip I've been on may not have always been super evident in all of my personal sewing projects, but they were the vibes I have most identified with and been inspired by for agessss. However, last year I felt something shift and I became less interested in those looks. But because I was pregnant and my body was changing shape and size, I had to put any real experimenting into my new stylistic inspiration on hold.  

I'm a big fan of the designer Rae Hoekstra, AKA Made by Rae, and I'd been sniffing around her Luna pants pattern almost since she released it. I couldn't see myself wearing them, but I'd often suggest the pattern to students in my sewing classes if they were looking for an easy-ish trousers pattern to make. Then, when I was pregnant, a friend lent me a big bag of various maternity trousers and jeans, which contained a pair very similar in style to the Luna pants. When I first saw them I put them straight back in the bag and mentally labelled them 'not me', but in the last few months of my pregnancy I ended up wearing them almost constantly. So having identified during #MMMay17 that light-weight trousers would be a welcome addition to my wardrobe, it was time to go Luna exploring... (sorry, too obvious?!).

(image source: Made by Rae)


The Luna pants pattern was a welcome respite from my trouser fitting woes. Yet, as per Rae's recommendation, I still made a toile (muslin) to check the fit before chopping into my precious fabric. Partly because the fabric has sold out so I couldn't buy any more if I messed it up, and partly because I've decided that sewing time is too rare and precious to spend it making garments that don't fit well and won't get lots of use. 

My main concern was getting a fit that didn't look too baggy. I prefer the look of the green pair pictured below which seem to have a similar fit to the maternity pair I borrowed, as opposed to the yellow version that you can see here. This pattern has about 4"-5" of ease through the hips, which seems like a lot to me, so I decided to go down a size from what my measurements would suggest to should cut (which Rae suggest if you're using a loosely woven fabric). (BTW, there is also a series of extra-detailed blog posts from the Luna pantsalong, if you require a little extra hand-holding for this make). 

(image source: Made by Rae)

It turned out to be a good call and I'm really pleased that I went for the Small, rather than the Medium, as the fit was pretty much exactly what I was hoping for. The only changes I then had to make to the pattern were to shorten the leg length by about 4cm, and to slash-and-flare through the back rise to add 1cm as it felt a teensy bit tight through the seat. 


Although I was on a self-imposed fabric diet after my then-recent move (nothing like packing up to move house to force you to acknowledge how much fabric you own!), I treated myself to a couple of metres of this light-weight washed anchor print denim from the Village Haberdashery on my last day teaching there before going on maternity leave. Pre-washing revealed its super-soft and slightly drape-y nature, so I had a hunch that it'd be a great match with this pattern. I wish I could link to the fabric, but sadly it's not on their website so I assume they have sold out. 


I put these on as soon as I finished making them and then wore them for three days on the trot before I accepted they should have a wash. The fit was exactly what I hoped for, and they were pleasingly airy during the roasting hot weather we had last week. The only thing that felt less than pyjamary was the elasticated ankles. Not being used to this style, and not having worn the maternity pair I borrowed for eight months, I felt really conscious of them to start with. However, sensory adaptation did its thing and I didn't notice them at all after an hour or so. 

What is breaking my heart is that the loose weave has resulted in the fabric coming apart a bit at a couple of stress points on the rise. There's a bit on the front but it's more noticeable on the back (see above and below). These appeared after just one wear, and I'm not sure what, if anything, I can do about it now, or how I could prevent that in the future. Thoughts most welcome. 


Pattern: available here in PDF form for $12 (approx. £9.44)
Fabric: I can't remember!!! I'm guessing £16 for 2m?
Elastic and thread from my stash
Total: £25.44

A fairly pricey make by my standards, especially if their days are numbers if those weak points rip apart entirely. However, thanks to the the fabric being really wide, I still have a sizeable chunk of it left (enough for a Scout tee or a woven tank of some kind, for sure) and I definitely plan to make more Lunas in the future. In fact I've just pre-washed some more precious fabric with this pattern in mind, watch this space...

Sunday, 18 June 2017

Your Maternity Makes

A lot of my friends and neighbours are pregnant right now, and the heat wave that has just hit the UK is reminding me how it feels to be third-trimester pregnant, and how important it feels to be as comfortable as possible. And then I remembered that I haven't shared any pictures of other peoples' versions of my maternity sewing patterns with you yet. So here's some of my lovely pattern testers, pattern reviewers and customers in their maternity makes...

First up: the Cordelia Maternity Camisole...

(image source: Hello Zoe B)

Brighton belle, Zoe B, looks so divine in the cutest maternity make ever, doesn't she?! She also made her little babe some matching kitty leggings from the leftover fabric. 

(image source: @magpieness on Instagram)

Here's lovely Vanessa McWilliams rocking a Cordelia camisole and a beautiful 7-month bump. I love that sketchy-effect fabric print. 

(image source: Masustak eguzkitan)

Maider and I were both heavily pregnant last summer, however she lives in Spain so was probably feeling even hotter than I was. I'm so pleased that she found the time and energy to make this fabulous anchor (yes, anchor!) print Cordelia. Such a lovely bump, too!

(image source: @mdelilahcarlson on Instagram)

Michelle from House of White shows how useful the Cordelia camisole can be for extending the wearability of non-maternity clothing. During #MMMay17 she layered hers underneath this incredible jacket that she drafted herself.

Second up: the Dolores Maternity Dress...

(image source: @miushkamiushka on Instagram)

Mirjam is an absolute sewing ninja and a seriously creative soul. Her refashioning skills are second to none (she won the Refashioners 2015 Get Shirty community competition!) and she even makes shoes. She made some fabulous garments during her pregnancy last year, including this long-sleeved Dolores maternity dress. 

(image source: @hattie_van_der_krohn on Instagram)

Hattie has got to be the most prolific maternity sewer that there's ever been! Check out her Instagram account to see the full extent of her epic clothing output. I have to include two pictures of her in this maternity makes round up because she just looks too damn lovely! 

(image source: @hattie_van_der_krohn on Instagram)

Hattie already has one daughter, with a second on the way. My hair never looked that good even before I had kids... As I say, too lovely. 

(image source: @vondalin123 on Instagram)

Speaking of epic, check out this stunning picture of Von in her short-sleeved Dolores maternity dress! That side-seam stripe-matching should win some sort of prize as well. 

Sunday, 11 June 2017

Scrap-busting Patchwork Duvet Cover

My last blog post was pretty lengthy, so in the name of equilibrium, this one's going to be a bit shorter. I'm pleased to finally share with you a patchwork duvet cover that I made for Dolores that (I'm sure won't surprise you) took AGES. Of course it took ages to prepare and sew, but it also took ages because I decided to make it not long before I was due to give birth to Frankie, so it ended up being put on hold for yonks whilst we went through the fire-fighting early days (weeks, months) of life with a new baby.

(image source: Mrs M's Curiosity Cabinet)

The seed of the idea to make the duvet cover actually came from an exhibition I visited in 2015 called 'Fashion on the Ration' at the Imperial War Museum, London. Mrs M has written an excellent explanation of it here if you're interested to know more. During the Second World War in the UK, clothing and fabric were rationed, scarce and expensive, so a woman had made the patchwork house dress pictured above during the second world war from scraps of fabric she already had. I didn't linger on the dress for long during the exhibition, but afterwards I found myself thinking back on it, and the circumstances surrounding its creation. 

A year later I found myself in a bit of a pickle. My tiny sewing space was drowning in scraps and small pieces of lovely fabric that I didn't want to put in the textile recycling, and I thought a fair bit about how to use them up in fun and useful projects. A few months after that, Dolores started potty training and it became apparent that we needed another set of bed linen to cope with the inevitable accidents. There was nothing suitable in my fabric stash, then an equation began to emerge: I needed a big piece of pretty fabric, I had lots of small pieces of pretty fabric, could I make the small pieces of pretty fabric into one big piece of pretty fabric, like the house dress's creator had done? 

Most of the fabric is quilting-weight ish cotton that was largely either leftovers from my previous garment making projects, or the small and weirdly-shaped flotsam and jetsam from sample work I'd completed for the window displays for the Village Haberdashery. I used some plain white shirting from my stash for the reverse, and finished the bottom edges with some bias binding, which also reinforced where the press studs then went. I didn't bother to finish the raw edge of the patchwork inside, and after a several rounds of laundering, all is well. Looking at these pictures brings back a memory of sitting in my pants cutting out the hundreds of squares with my blunt rotary cutter in last summer's heat with my enormous, awkward belly getting in the way!


At a couple of points during the project, I wondered if I should add some wadding and extra rows of stitching and call it a quilt instead. Then all that work could be called an 'heirloom', rather than just a duvet cover, right?! But that would have failed to meet my aim of creating something easily washable. So instead, like the creator of the house dress, I spent many woman-hours creating something that is everyday-useful, and also quite special. 

Monday, 5 June 2017

Spoonflower British Blog Hop et La Brune

Look! I made something fancy! That must make me fancy, right? Thought so. By the way, my definition of 'fancy' is something that is not suitable for running around a play park in. I've got a whole lot to say about this project, so let me crack on...

So this project was instigated by an invitation to take part in Spoonflower's British blog hop. They want to promote the fact that they have a second factory which is based in Berlin. This means, for British sewers at least, no nasty surprise taxes or import duties, plus quicker delivery times. I was offered my choice of fabric to make a garment from and blog about it. Seeing as I am very much in the business of making garments and blogging about them, I told them to count me IN. 

(image source: Natalie Grasso)


As you may know, Spoonflower offer a fabric printing service where you can either design your own print or choose one from their catalogue, and get it printed on one of their base cloths. Having never tried a fabric printing service, I was interested in trying out designing my own print. But my primary aim with this project was by the end to have a garment that was very 'me' and I would love wearing. So I had a think about the inspiration I've collated over years on my good old Pinterest boards, and thought that a striped Breton type design would most fit with my style and be most likely to be worn.  

(image source link broken)

I wondered if I could create a kind of hand-drawn striped design, as a spin on the classic Breton stripes, similar to the images above. However, then I fell down the Spoonflower rabbit hole. Turns out there are hundreds of thousands of AMAZING designs already on there to choose from. For a number of days I got completely obsessed by typing in a word into their search box (cacti! flamingos! sketchy! Mexican!) and seeing the many many different interpretations on each theme. I was really into the work of one particular illustrator/designer who annoyingly I can't remember the name of now, but at the last minute I pulled myself back and remembered my wearable-spin-on-a-striped-Breton plan. After typing in 'striped' and searching through the results I found this print. It was almost exactly what I had in mind, and no doubt much better than what I could have rustled up myself in the limited time frame, so I plumbed for that one.  

Having found the print design, next I had to pick the fabric type. My first thoughts were to go for a knit, because I seem to almost always sew with and wear knits these days. But then I had a sudden epiphany: this was a chance to make something more special than a t-shirt variation, and that I could pick a fabric to make the La Brune sewing pattern I had just bought (more on that in a bit), which required something woven but I had been drawing a blank on. I was a little disappointed with Spoonflower's options for finer-weight wovens. I guess I was looking for something natural with some drape, or a lawn perhaps. But my contact at Spoonflower was helpful in guiding me to this cotton poplin that would probably be fairly suitable for the pattern I intended to make.  

If you find yourself ordering from Spoonflower, I would advise paying close attention to the usable width of the fabric you're ordering. Thankfully I did, and ended up having to order 3 yards for this blouse. I could have got away with 2.5 yards but it isn't possible to order half yards. I'll make Frankie some shorts one day with the leftovers. This fabric is not cheap (this poplin is $20 a yard), which would have been an expensive mistake if you didn't order enough. When it arrived I immediately fell in love with the print, and the fabric itself felt decent quality, although not quite as soft as I was hoping for. I cut off a strip before pre-washing so I could compare the colour afterwards as my big concern with these printed services is that the design will fade significantly. I washed it at 30 degrees, which is what I wash everything on anyway, and the navy colour has faded a tiny bit, but not as much as I feared. It'll be interesting to compare after several washes... 


I think this fact deserves analysing in its own blog post at some point, but recently I've become obsessed with French-speaking sewing blogs, Instgramers and sewing pattern designers. Miraculously, this has coincided with Pat (Mr So Zo) teaching himself to speak and read French (he's going to train to be a French and Spanish teacher next year). Anyways, I bought this PDF pattern pictured below, named La Brune, by Delphine et Morissette. Thank goodness for Pat's French assistance because the method of purchasing her patterns involves messaging via a contact form and then completing the transaction via email, rather than through the predictable online shop format. For all I know she speaks perfect English, however I thought it was only polite to attempt to communicate in French.

(image source: Delphine et Morisette)

I must admit, considering how gorgeous and flawless her website, photography and garment designs are, I was surprised by the PDF I received. The instructions were a very basic Word type document with no step-by-step illustrations or photos. In fact, the construction steps weren't even numbered and, even if French was your native language, you'd have to have quite a lot of sewing experience under your belt before you tackled this pattern. For example, the pattern advises to apply bias tape to the neckline, with pretty much no more detail than that. So you'd have to have worked with bias tape previously, or be up for learning quick smart, before knowing how to finish the neckline. Pat and I translated hard and scratched our heads for some time over a few of the steps, but although I don't think the instructions were as clear as they could have been, it made sense to me once I had the pattern pieces cut out in front of me. 

The pattern itself (pictured above) had not been digitised, and with no clear borders it was tricky to tape together. I'm not dissing this pattern, or the work of the designer, but I'm trying to make clear what you'll get if you buy this pattern. I think that us sewers/sewists have developed certain expectations of PDF patterns, even from the most kitchen-table based pattern design outfit (like mine!), and we've become used to having our hands held through each step of the pattern prep and garment sewing processes. But equally, being able to make a nice, wearable garment from a pattern that makes you work harder is a great feeling.

A 1cm seam allowance had been included to the pattern pieces, however I would have liked a few more notches to help put the pieces together, particularly on the sleeve head. I found that my measurements spanned two sizes, so I graded between the 38 for the top part to a 40 at the hips. I ended up taking that extra in again so in the future I'd make a straight size 38. Before cutting the pattern I also compared the pieces to the Grainline scout tee so I could be certain that it'd fit me.

Having done a Google image search to check out other people's versions of this pattern, I decided to rein the volants, sorry ruffles, in a bit. I think I shaved off about 2.5cm at their widest so hopefully they don't look too much like wings, but I think I could have taken off a bit more considering the stiffness of my fabric. The shoulder line was a bit too angled for me, so I straightened that out a touch. I also widened the neckline slightly to make getting it on and off a bit easier (this blouse has no fastenings so needs to be pulled on and off over the head) and I reshaped the neckline to a more pleasing scoop, which I'm really happy with. The final pattern mod I made was to the sleeves. The original pattern design has 3/4 length sleeves, but when I tried it on, they felt too restrictive around my elbows so I shortened them to this half-sleeve length.


Well, making this blouse was a real experience, I'm so grateful that I got the chance and the push to do so. Choosing my dream fabric print was fantastic, and also created quite a lot of pressure to get this garment right (particularly after my recent FAIL). I didn't have time to make a toile/muslin, so I had to avoid and/or iron out any issues with lots of measuring before choosing my size and trying it on multiple times throughout the construction process and addressing each necessary tweak. Having put the work in to figuring out the construction method, and in to getting it to fit nicely, I definitely intend to use this pattern again. On top of the changes I listed above, I'll also extend the bust dart so that it comes within vague orbit of my bust point (it's in a different galaxy at the moment), and I'll widen the bottom of the sleeves so I can make a 3/4 length sleeve version that feels nice to wear.

Would I order from Spoonflower again? Possibly. There are so many seriously incredible print designs on that site, and I'd like to get my hands on a swatch book to see what the other base fabrics are like. I would be tempted to order something again for a special project, but it would have to be a project that I had time to toile beforehand so that I could enjoy the construction process, rather than it being a bit of a white knuckle ride!

Thursday, 1 June 2017

#MMMay17: The End!

(the first day of May that I was well enough to get dressed and leave the house)

My goodness, where did that go?! How comes it's June now? For me, the month went by in a sleep-deprived blur. Plus, I think I'm feeling a bit cheated because I spent the first two weeks of May ill with flu. Like, properly should-have-been-in-bed-the-whole-time-ill with flu. However, I managed to stick to my pledge (apart from wearing my husband's fleecy, not-me-made dressing gown for a lot of those two weeks for which I do not apologise) by wearing me-made pyjamas, comfy leggings and sweatshirts. When I finally returned to vague health, I was able to continue to carry out my pledge, but some holes in my current me-made selection definitely became apparent.    

(I loved wearing my Scout tees this May, and Frankie rocked a mum-made dribble bib most days)

As I mentioned in my pledge post, I chose not to document my challenge with daily photos this year, although I did plan to take more than the lonely few images that I got during the month! I'm really pleased that I didn't put pressure on myself to take those daily images, but I do feel sad not to have that collection of photos to look back on, as I have from all previous challenges.

(my selfie game is weak)

I also planned to write down what I wore so I could analyse my wardrobe usage that way, but that didn't happen either. But I did the best I could and got dressed as consciously as possible and definitely learnt some lessons. Here's what I took away from #MMMay17:
  • I have very few hot weather items. I didn't have many to begin with, but I got rid of a lot during a big clothing clear out that I had just before May, as I didn't want my wardrobe clogged up with things that no longer feel 'me' stylistically. 
  • I have even fewer (i.e. pretty much no) warm weather items that are suitable for breastfeeding. My breastfeeding-friendly outfits usually consist of a separates with a vest under the top so I can pull the top up without exposing my belly. But the weather we've had recently has been too warm to wear more than one layer. As a quick fix I shortened the sleeves on my cheetah print Agnes breastfeeding top, but I need to whip up another so I have at least one more option for daytime, out-and-about breastfeeding with dignity! 
  • I really missed my secondhand RTW jeggings. I love the slim-legged silhouette when I'm wearing looser or boxy-shaped tops, and although my black denim ultimate trousers are pretty slim legged, the denim is too thick for warm weather. I've already taken the bold step of cutting up the RTW jeggings (they were really ratty anyway) and made a pattern from them, so watch this space for how that turns out. 
  • It's time to try some different style trousers. Although I have a number of great me-made skirts (all knee-length and knit), I much prefer wearing trousers and jeans. The latter also suit my current playground-and-playgroup-and-no-time-to-shave-my-legs-anyway lifestyle better anyhow. I'm feeling pretty restricted by only owning two pairs of me-made trousers which are both denim and therefore suitable for cooler weather, so I'm going to have to step out of my slim-legged jeans and jeggings comfort zone and try some patterns that are suitable for thinner fabrics. I've been eyeing up both the Made By Rae Luna pants and the Named Clothing Alexandria peg trousers. #Eek.
  • For even warmer weather, I think some shorts are going to be useful. I'd like to make some pairs for being in public (I've got the Deer and Doe Chataigne pattern, and I'm tempted to revisit the Pattern Runway Sweet shorts pattern), plus some for knocking about the house in (the free Purl Soho City shorts pattern perhaps?). 
  • My pairs of denim ultimate trousers really aren't that bad. I've worn them loads, and even though the fit isn't perfect, I doubt anyone is concerning themselves with my under-bum wrinkles! I'm not sure I can muster up the will to try to correct the fit flaws of that pattern right now though, so I'll probably move on to trying another denim-appropriate trouser/jeans pattern closer to the autumn. 
(most of my me-made outfits were accessorised with a somewhat clunky pushchair with buggy board)

If you challenged yourself during May, how was it for you? What did you discover about your me-mades, your creativity, or even about yourself? If you've written a blog post about it, please leave me the link so I can go and check it out.

Monday, 29 May 2017

Ice Cream Cranes

So now that I think of it, this dress is already about 18 months old. When I made it, Dolores seemed to have a sufficient amount of dresses so I made it in the size above what she wore at the time. Now that she fits it, her wardrobe seems to be even larger. Note to self: stop making Dolores clothes for a while.


As an adult, I find the question 'What would you like for Christmas?' really tricky to answer. Well, fairly recently I realised I could just respond 'sewing stuff'. A couple of years ago, that 'sewing stuff' took the form of a couple of Oliver + S children's sewing patterns, including this one. Oliver + S patterns are beautiful things, always very well designed with excellent instructions, but also quite pricey so not something I'm flush enough to buy regularly myself. I chose this one because, unsurprisingly, I'd seen lots of lovely versions on the interwebs. 

Like all Oliver + S patterns, I think the Ice Cream dress one has some lovely proportions and details, like the gathers joining with the yoke running along the kimono sleeves and the little notch at the neckline. Also, like all Oliver + S patterns I've tried so far, this one took a bit longer to make than I think a children's garment should take, but I felt like I'd had a little sewing lesson and picked up a new technique or two by the end of it. I made the size 3, and I decided to not bother with the contrast yoke or hem band as my fabric was already busy enough.


Do you ever have a piece of fabric that's burning a hole in your stash? By which I mean: you love it and it's totally something you'd use, but for some reason, the right project for it evades you for ages. I think this is some fancy Cloud9 quilting cotton that was everywhere for a while a couple of years ago. The Village Haberdashery had a garment made from it in their window display one day when I was teaching there, and I mentioned that it I thought it was amazing. That class I was there to teach was the last one before I went on maternity leave to have Dolores, and Annie (owner of VH) was incredibly sweet and gave me a metre or so as a gift when I said goodbye. 

Like most quilting cottons, it was very easy and enjoyable to sew with. I'd say that its stiffness is at the outer limits in terms of what is suitable for this sewing pattern though. If I were to make this pattern again I'd probably choose something a little softer and more flowy. 

I choose a scrap of white and navy polka dot cotton from my stash for the cute pockets, which I think looks more fun and unusual than a solid contrast. 


When we took these pictures, it was too chilly to wear summer dresses, so we were layering it with tights and long-sleeved t-shirts underneath. I love that, despite being made of cotton, this dress is versatile enough to be worn 3/4 of the year! I'm also a big fan of the tiny pink button I found in my stash that echoes the pink moons in the fabric print. If Dolores didn't have too many clothes already, I'd be very tempted to make lots more of these. I'll probably make another in the next size up...


Fabric: £0 (a gift from VH, sadly no longer available)
Pattern: £0 (also a gift, but can be bought in PDF form here for $15.95, approx. £12.45)
Total: £0

Related Posts Plugin for WordPress, Blogger...