Free Pattern Friday: Adult's Valley Jumpsuit

Welcome to my monthly 'Free Pattern Friday' feature, where I road test a free sewing pattern or tutorial: sometimes a children's one, sometimes an adult's one. I publish these posts every first Friday of the month, timed to provide inspiration for those who plan to get their sew on over the weekend. I firmly believe that, if you pick your projects carefully, sewing doesn't have to be a crazy-expensive way to clothe yourself and your family. Thanks to all the amazing pattern designers who have offered up their hard work for us to enjoy for free.

Friends, have I got a blinding free pattern to tell you about today?! (Short answer: yes.) You've probably already heard of the amazing resource that is the Peppermint Magazine's collection of free sewing patterns. But if you haven't: this Australia-based magazine employs the talents of an indie pattern designer to produce a free sewing pattern to coincide with the release of each print edition of their magazine. The magazine is released quarterly, so that's four incredible new free sewing patterns a year with 41 patterns already available to trawl through. The patterns are really easy to access; the A4 and A0 pattern files plus instruction documents are downloaded directly from each style's webpage, with just a sign up to their newsletter required (which you can obviously unsubscribe from, should you wish). It is also easy to donated a few quid if you can afford to, and seeing as print magazines are generally in a precarious position these days, I think it's important to do so to say thanks and to support this wonderful resource. 

Pattern type:

The pattern I've just road tested and am writing about today is the Valley jumpsuit. Designed by Raphaëlle Bonamy of Ready To Sew patterns, the Valley jumpsuit is a casual, super wearable style with elasticated waist, button front and large patch pockets. I absolutely love that the instructions are available in English, French and Spanish. The design itself is is really clever, consisting of just three pattern pieces that need to be cut from your fabric. The bodice and sleeves are ingeniously formed from just one pattern piece that you cut a pair of, and in the same vein, the trouser part has no side seams so is also made from one pattern piece. To get the garment on and off, the button front is assisted by a small back neck closure to open things up sufficiently.

Sizing info:

There's so much talk in the sewing community in recent months (years?) about size inclusivity, and many pattern companies are listening and expanding their offerings. I think the sizing of this particular pattern is a great example of what we'll see from most sewing pattern releases in the future. Spilt into two ranges (sizes 32 - 46 drafted for a B-cup and sizes 46 - 58 drafted for a D-cup) resulting in busts from 31" to 54" and hips from 35" to 60" approx. being catered for. In total the pattern has been graded to 28 sizes, including half sizes, which should help you to achieve an accurate fit. I appreciated that the garment ease for bust, waist and hips has been shared to give additional information when picking a size/s, because who wants to toile/muslin a whole damn jumpsuit?!

For mine, I used the size 38 for the top part of the bodice, and blended out to the size 40 below the bust for the waist downwards. According to the size chart, I should have gone for a larger size for the waist, but the elasticated waist meant that I was easily able to accommodate by tum. 

Fabric info:

The Valley jumpsuit instructions suggest that you select 'light weight fabric with drape ranging from tencel, cupro, linen, ramie or hemp, batik, poplin or light denim' for this pattern. 

This is my third jumpsuit made from African fabric, I just think they're a match made in heaven, and I'm sure this will end up getting as much use as the other two get. This particular fabric was given to me by Wax and Wraps, who sell African textiles by the metre, or in fantastic, monthly, sewing subscription boxes. It's a printed version of a traditional fabric from Cameroon called Ndop that's usually resist dyed with indigo. Check out this interesting article for more info on Ndop. This fabric I used for my jumpsuit is a wonderful, light-weight cotton with a similar handle to a poplin, but slightly less crisp. Because there's a linear aspect to the print design, there's a noticeable chevron effect at the centre back seam of the bodice, which I really love. The fabric was slightly narrower than the pattern called for, plus the fabric matching gave me some additional head-scratching, and I ended up having add a seam and piece the fabric to fit one of the bodice pattern pieces. I defy you to spot where it is in the finished garment though! 

Findings:

Going back through the instructions to write this post, I'm still blown away by the inclusivity of the sizing. I'm sure that sadly there are still a number of sewers that aren't able to fit this pattern who otherwise would have liked to have tried it, but that really has to be small minority. I'm also still really impressed by the drafting: that such a cool-looking, well-fitting style has been achieved with effectively just two pattern pieces. However, because there are so few pattern pieces, and subsequently fewer seams, I wonder if this style offers fewer opportunities for making fit adjustments, I don't know. 

Anyways, on top of my standard blending between sizes, I also shortened the bodice length by 1.5cm to allow for my short-waistedness (AKA high natural waist line). I usually have to remove about 2cm of length from the torso area of all sewing patterns I make, yet this time I wish that I hadn't. If I make another, I'll add that measurement back in because raising my arms up isn't the most comfortable! I might also lengthen the front and back rise on the bottom part a bit, because the rise on this garment is definitely higher than the rise on my other jumpsuits (my Zadie jumpsuit, pattern by Paper Theory and my Roberts Collection jumpsuit, pattern by Marilla Walker). If you are tall and/or have a long torso, I'd definitely recommend lengthening the bodice pieces before you cut out your fabric. It's always easier to remove any extra length that it turns out you didn't need, than to try and figure out how to add in some extra length later on.

Speaking of cutting out your fabric, one downside to having just two mammoth pattern pieces as opposed to a number of smaller ones is that I found that I wasted quite a bit of fabric in the lay. This was compounded by the fact that I had some pattern matching to consider. However, even though you have to cut the pattern out of a single layer of fabric, the cutting out process was probably quicker and potentially less of a headache than a pattern that consists of more pieces. 

When it came to the actual sewing, the instructions were wonderfully clear and easy to follow. To prevent the instructions document from becoming too unwieldy, some steps are included as links to posts on the Ready To Sew website, or in the case of the steps for making the waist casing, a YouTube video. This provides space for more detail and clearer visuals for these potentially tricky bits. I'm sure it's particularly helpful for visual learners, and turns this pattern into a real learning opportunity for beginner sewers.  

As I mentioned above, I would have preferred a tiny bit more length in the body and possibly the rise, but beyond that, I am genuinely thrilled with this jumpsuit! I wasn't sure initially that I liked the look of the patch pockets. I added them thinking that I could remove them at a later date, however I really like their placement and proportions now they're on the actual garment. 

Customisation ideas:

• Shorten the sleeves
• Shorten the leg length to make a playsuit/romper
• Add a side seam to the trouser section then taper or widen the leg shape for some different looks. It's amazing what this can do to completely alter the feel of a garment
• Adding a side seam to the bottom section also allows you the possibility to add inseam or slanted pockets if you'd prefer 
• Change the neckline to a V-neck
• Use smaller buttons and group them in pairs

Would I make it again?

Yes I could easily see myself making more of these, probably in a solid fabric, a black linen perhaps. 

Ankara Tamarack Jacket

My love for the Grainline Studio Tamarack jacket pattern developed slowly. As in, it took a couple of years. If this pattern was a potential partner, they would have written me off long ago! My interest grew over time, but it took the vision of an Ankara (AKA African Wax fabric) version that finally made me commit to the plan and I begun to gather supplies. Then a couple of weeks ago the time came to give back the overlocker I'd been borrowing. I looked through my list of potential sewing projects to work out what I could make next that could be made entirely on a regular sewing machine. Although the pattern suggests rather than specifically dictate to do so, I felt that binding all the bulky seam allowances would be the best way of finishing the innards. Therefore, it seemed like a good time for the Tamarack project to rise to the top of my 'to make' list. 

Fabric: 

Last Spring, I saw a woman in a supermarket car park with a really bold puffer jacket. I can't remember exactly what it looked like, but the print reminded me of an Ankara design and my mind went straight to the potential options that were dwelling in my stash. This particularly length of Ankara fabric was brought back for me from her honeymoon in Ghana by my good friend Anna over ten years ago. She told me about the overwhelming awesomeness of the vast fabric market where she bought it, but she knows me well as she picked out the perfect print and colour way for me.  

Shortly after receiving it, I made some of the fabric into this 1950s style retro dress (pictured above). And a year or so later, whilst pregnant with my daughter, I made a dress using the Made by Rae Trillium dress pattern, then called the Washi dress pattern (pictured below). 

Historically, I have kept very few of my me-mades once I have stopped wearing them. However, I kept both of these because of how amazing this fabric it. So I harvested what I could from both, and located the final piece leftover from the original length. Even so, I had to piece the fabric together in a couple of places: around the shoulder/yoke area on both the fronts and the back pieces. I was able to pattern match pretty well, AND I was able to stitch along the joining seams during the quilting step, so I think they are effectively hidden. Finally, I pieced the scraps together to make the self-binding. There really is very little of this fabric left now!

The Tamarack pattern directs you to use the same fabric for both the inner and outer layers. Obviously that wasn't going to happen with mine due to the limited fabric, plus I wanted the ease of taking it on and off that you get with a traditional, slinky lining fabric. I got this navy viscose lining remnant from Fabric Godmother, and made bias binding from the leftovers to bind the pocket edges and all the internal seam allowances. 

The other element that I had to purchase for this project was the quilt batting/wadding. After reading the advice on the Grainline blog, I decided I wanted to source some wool batting rather than cotton for a warmer jacket, but i just couldn't find the size required (twin) in stock anywhere in the UK. As a second choice, I went with a batting made 100% from recycled plastic bottles. I flatter myself by thinking that my green-washing radar is pretty well tuned, but you wouldn't believe how thick they were laying on the 'this product basically saves the world' message in the packaging! It completely ignores how much energy is required to extract usuable polymers from that 13 discarded plastic bottles, and to turn them into quilt batting (which is then wrapped in plastic and shipped to Europe from the US). And looking at the reviews in the comments section of the website, some other customers seemed to have taken the 'I bought this and have just saved the world' perspective on board! Lols. Anyways.

Pattern:

As I say, I wasn't always sold on the style of the Tamarack jacket pattern. Chatting with Mr SoZo about this, I finally figured out that it reminds me of two things: A) the kind of jacket that an elderly Chinese farm worker woman might wear, and B) detachable lining that might be part of a Very Practical Coat. Once I'd made these stylistic links and the question was no longer bugging me, I was honestly much happier to go ahead with the project! 

As with almost all patterns I use, I made a couple of initial adjustments to this one. I blended between sizes at the side seams (my waist and hips usually fall into a size category that is one size larger than my bust), and pinched out about 2cm from the length of the torso on the front and back pieces to account for my short-waistedness. Being able to make these simple (and now automatic) adjustments is such a blessing, and would be worth learning how to sew for even if I didn't actually enjoy it!  

The trickiest part of the project was the welt pockets. When my batting arrived, it was thinner that I expected, but that was partly to my benefit as the construction of the pockets would no doubt have been more difficult if it was been thicker. I declared life too short to pattern match the welts, and once the binding was added to the edges, I think the mis-match of the welts looks fine. Due to the limited amount of fabric I was working with, I was able to match the pattern at the centre front, but couldn't align the colours of the design. 

Thoughts:

I wasn't able to collect all the relevant materials for this project until recently, and because Autumnal jacket weather had passed, I'd kind of shelved the project in my mind until the Spring. However, we've had an (alarmingly) unseasonably warm couple of days lately so I got to wear this out in the world yesterday for the first time. I still feel the elderly farm worker vibes are present, but I also believe that the bold fabric print off sets those vibes enough that it looks pretty stylish. The fit is comfortable, plus the sleeves are narrow enough that it might prove a useful layer underneath my grey Cocoon coat when the temperature really drops and I want to give my Buffalo Check coat a break. 

There have been some amazing quilted coats and jackets popping up on IG recently. If a suitable quilt appeared in a charity shop, I'd be tempted to make it into another Tamarack jacket, with the quilting stage having been done for me. And even if I don't use this particular pattern again, my eyes are definitely opened to the stylistic and thermal qualities of quilted clothing! 

Ankara Roberts Collection Jumpsuit

I've been getting a lot of satisfaction recently from using some of the older pieces from my fabric stash. This African wax print (AKA Ankara) fabric has been in there for at least 8 years, and became many different project in my mind before I actually made it into this jumpsuit. 

Fabric:

To finally get this fabric out of my stash and into my wardrobe, I added it to my #2020makenine plans (which you can see in this post). As Ankara/African wax print fabric goes, this one is pretty stiff, so finding the right project for it had taken me some time. I'd pre-washed it twice to see if it would soften up, but I think that's only going to come with lots of wear and the sporadic washes it will receive over (hopefully) years. 

As you can see, this fabric as a bold, large-scale print. I had quite a bit of it, but full-length jumpsuit patterns are hungry for fabric, so I didn't have the luxury of trying to match sections of the print at any point. I think the random-ness and resultant placement looks fine though. 

Pattern:

I've been in love with the Roberts Collection pattern by Marilla Walker for yonks. You get a lot of bang for your buck with this one, as the pattern includes a jumpsuit, dungarees, pinafore and top patterns. I finally decided to buy it in paper form from Fabric Godmother just before lockdown. 

(image source: Marilla Walker)

I traced the pieces for the jumpsuit off as I wanted to retain the original. I knew I'd been making some adjustments, plus you never know if you'll need a different size somewhere further down the line. Firstly, I altered the shape of the back pieces, to change the inverted V-shaped seam (see the line drawings below) into a regular, straight waist seam. I always have to remove length from the torso of tops, dresses and jumpsuits, and even though I then folded out 2cm from the front and back pieces to account for this, I wanted the option to add some length back or remove more length, should a mid-way fitting deem it necessary. 

(image source: Marilla Walker)

Thoughts:

I was hoping that the unfussy, casual style of the pattern would prove a suitable canvas for this intense print, and overall I think it just about works. There's a slight vibe of sleeping onesie/pyjamas about it, but that doesn't bother me at all. I could have positioned the lowest button slightly higher, which I would alter next time. Plus there's something slightly off with the fit around my bum (it often needs readjusting after leaning forwards) but it's not a major issue, and I reckon I could sort that out for future versions by comparing the rise of this pattern with the rise of the Heyday dungarees pattern. Ultimately though, I'm very happy with this make and wearing it is a lot of fun. I've got more older-stash items busting to share with you soon. 

African Wax Print Zadie Jumpsuit

Basically, it's been raining solidly for about three weeks, so getting some half-way-decently-lit photos of my more recent projects has been impossible. Finally, it wasn't too miserable for a couple of hours yesterday, so now I can show you my new Zadie jumpsuit! 

I'm sooooo thrilled with this make. I got it finished in time for a staff night out and my kids' joint birthday party, which happened in the same week. If it hadn't been such terrible weather ever since, I'd probably have worn it every day since as well. 

Pattern:

Is the Paper Theory Zadie jumpsuit pattern actual magic? IMO, there is not one single version out there on the internets that doesn't look amazing, and it seems to work on every body shape. I knew I had to make one at some point, it was just a matter of finding the right fabric (more on that below). I bought the pattern through Fabric Godmother (where I work part time), because they had offered me a free A0 pattern print out, and this seemed to be the right pattern to cash in that offer. I've never had an A0 version of a sewing pattern printed out before. I've always felt it was an extra expense I couldn't justify, but I was very grateful to get to skip sticking multiple A4 pages together this time.

(image source: Paper Theory Patterns)

It felt like a real treat to have the pattern printed out all big, however I did feel under pressure to pick the right size. Having got the A0 version, it would have felt disheartening and a real waste if I'd had to print out another copy if I chosen the wrong size to cut out. I'd heard that the pattern comes up a little large, and I think it was reading about Fiona's (Diary of a Chain Stitcher) stunning cotton Zadie that ultimately pushed me to just go for it and cut out a whole size smaller than my measurements suggested. My measurements also suggested I should blend between sizes, however the fitting notes of the pattern hinted that blending wouldn't be necessary as you can adjust the fit somewhat with how tightly you tie it up.

The one change I did make was to fold 2cm out of the length of the bodice, which is my standard adjustment for my short torso/high natural waistline. The construction was super simple, and not nearly as time consuming as I was expecting it to be. Applying the binding around the front edges was probably the fiddliest part, but in no way headache inducing. 

Fabric:

It took me months of lusting after Zadie jumpsuits on Instagram before I realised that I had potentially the perfect fabric already sitting in my stash. This amazing African wax print cotton was in my #2019makenine plans to use this year, but I just didn't know what to do with it. I bought it a few years ago from Goldhawk road, but I can no longer remember what my initial plans were for it, if I had any at all. I had already used some to make an (un)wearable toile for a different project a year or so ago, but I still had several metres left. As you can imagine, the Zadie jumpsuit is a fairly fabric hungry pattern, and I basically had just enough for this project. 

I adore African wax print, especially the more nutty print designs. This lock and key design is by no means the most bonkers subject matter I've seen used for this type of fabric, and the background pattern here is also fairly subdued. I had been trying to find something more crazy than this on that particular shopping trip, but now I am so glad that I didn't because I think it fits this garment style fantastically, and I couldn't be happier with the combo. Sometimes it really does pay to let a length of fabric live in your stash for a while...

Thoughts:

As I've mentioned a few times already in this post, I could not be happier with this garment. I love the look of it, and it feels comfy to wear but also quite put together. There's a slightly odd, unintentional pattern matching/placement thing happening along the front legs, but I can totally live with that without it bothering me. I'm pretty desperate for the weather to warm up again so I can wear this alllllllll the time. I'm concentrating on sewing from stash for the foreseeable future, however, next year I can definitely see me buying some gorgeous linen to make a solid version as well.

Safety Pin Scout Tee

Finally!!!! I got to make a garment for myself that isn't directly linked to being pregnant or breastfeeding. It feels like it's been a long time coming and I'm super excited.

Pattern:

You couldn't accuse me of being an early adopter when it comes to trying out new sewing patterns! This is the Scout tee pattern by Grainline Studio, and it took seeing a lot of other versions (as well as teaching a sewing class with this pattern twice at Fabric Godmother!) to decide that it might be for me. 

It's a relatively quick project, which suits the fact that my opportunities to sew are currently greatly limited. Even though it's a quick project, I wanted to make sure that my sewing time wouldn't be wasted so I made a toile (muslin) first to check I would be happy with the fit. I'd heard that this pattern comes up a bit big so I picked a whole size down (size 6) than my measurements would have indicated I make, and the sizing ended up spot on.   

Fabric:

This is quite a boxy style, so I wanted to use a lightweight fabric so that the result wouldn't end up looking too stiff and weird. This African wax fabric is very fine with a loose weave, and was a gift from a friend of mine around the time I had my daughter. My mate was intending to make something for me from it, but her project didn't work out so she just gave me the fabric instead! 

Because the fabric is so fine, and because it feels pretty fancy, I used French seams for the shoulder and side seams. After a few wears the fabric is being pulled apart a bit at the side seams, probably because I yank it up fairly regularly for 'access' to feed my son, so I don't think this top'll last forever. 

Thoughts:

If I were being picky, I'd say that the sleeve heads sit slightly too far off my shoulders. But my concern is that if I were adjust that in this or future versions, I would struggle to get this top on and off as it doesn't have any fastenings. Aside from that, I think the fit is great and it marks a step towards some new style influences that have been occupying my brain (and Pinterest boards!) recently. I think the fabric and pattern pairing is a good one, as it feels so light and breezy on. I wish I'd had some of these when I lived in Spain, but then my preferred silhouette was more fitted back then. 

Cost: 

Pattern: $12 in PDF form (approx. £9.86)
Fabric: free
Total: £9.86, but I already have another cut out so that'll make this project cheaper once I've used the pattern again

African Wax Print Geranium Dress: Plus, I'm Tapping Out

Here it is peops, my second and final garment for this summer's 'Traveling' themed KCW. And I give up. But let's talk about the garment first. Oh, and if you don't like pictures of cute toddlers, or the colour orange, or eyes, then you may want to skip this post entirely. 

Pattern:

This is my second go using the Made By Rae's Geranium pattern for Dolores, and my forth go at it in total. I wrote pretty thoroughly about it in the Liberty print version blog post if you want to know my thoughts on it. But you can probably guess how I feel about it simply by the fact that I've made it four times now. 

This time round I used the plain armholes like the Liberty print one, but opted for the V-notch neckline and gathered skirt options. I'm not sure why, but I feel a bold print (and let's face it, you don't get much bolder than this one!) suits the gathered skirt style, and plain or very subtle/small prints look better with the pleated style. I think the formulae of crazy fabric + traditional style OR traditional/subtle fabric + more interesting design works well for children's wear.

Fabric and Notions:

If you've been following my blog for a couple of years, this fabric may look familiar; it once took the form of a big fat horrendous FAIL of a maternity garment. Once I had finally stopped laughing about that dress, I put it away with the intention of reusing the fabric, even though I still have metres and metres of it left uncut. I just couldn't waste the fabric, like I'd wasted my time and energy.

If you've made it this far into the post, it's probably already seared your retinas, however let me tell you a bit more about it. It's a medium weight African wax cotton fabric printed with an insane design of eyes and abstract Aztec-y diamonds. It feels and behaves like quilting cotton, and kind of makes the skirt stick out a little bit. I worked hard to achieve a linear pattern match at the seams, but through absolutely no effort on my part, I seem to have nailed an almost exact pattern match on the skirt's back seam and one of the side seams. Like, the eyes are complete. I don't think I couldn't have done that if I'd tried. 

The bodice is lined in a scrap of cream silk habotai from my stash, and despite intense amounts of clipping into the bodice seam allowances before turning it through and very careful pressing, you get slight glimpses of it peeking out. I'm not about to attempt to source bright orange lining fabric and then try to buy only 15 cms of it though, so I'll have to get over it. 

To extend the African theme further still, I used these little zebra buttons for the back closure. They were a gift from the lovely Maggie from Textile Garden (my sponsors, FYI). You can find the zebra ones, plus many many more amazing novelty buttons here. My initial button choice was some giraffes (also given to me by Maggie), but they required vertical button holes which really wouldn't have worked for this dress. No matter, African savannah theme remains intact. (Please don't leave a comment if you happen to know that African wax fabric is from an entirely different part of Africa than where zebras live or something!)

Thoughts on the Dress:

Aside from nearly making my eyes bleed when I look at it, I think this is a pretty awesome garment. The only thing I'd criticise, aside from the aforementioned comment on the lining peeking out, it that the scale of the V-notch is a little small for my liking. If I use this pattern again (which I probably will) and use the V-notch option (which I probably will), I'll make it bigger so it stands out more, even if I'm using more subtle fabric.

The only other thing that could have improved the final look is if I'd found the time and energy to make a matching sun hat. However, I really don't think this dress will get that much wear that it warrants its own special hat! 

Thoughts on This Season's KCW:

So that's me done. I've only completed two garments this time, and I probably didn't sew for a total of seven hours (although I've definitely stopped trying to complete the required seven hours within the specified week). The truth is, I've been ill all week and struggling to entertain Dolores at the same time. She's been sick too and neither of us have had much sleep for agessssss. I was hoping to complete the two projects that I had had brewing anyway, and then bust out something fresh (to me) inspired by the Traveling theme. But it wasn't meant to be.

And, not that anyone should notice this, but I've been blogging way more frequently for the last couple of months than has been my usual routine. I've still got a bit of a backlog of projects to share and topics to discuss in blog post form, but I need to slow up a bit again because I'm heaping pressure and stress onto myself for no good reason. Hmm, starting to realise why I might be ill at the moment! I'm going house-sitting tomorrow for a five days, so that's drawn a line under the challenge, as well as running out of steam. Anyway, this wasn't meant to be a pity party, I just wanted to explain why I'm sadly tapping out of this awesome sewing challenge early. On the plus side, I have to say that sewing (and children's wear sewing in particular) is a regular activity for me at the moment, so if one of the motivations behind the KCW challenges is to kick start someone's flagging sewjo, then I'm pleased to say that I don't feel I need to gain that from it. If you are taking part, I really hope you are having a super fun week!