Free Pattern Friday: Adult's Valley Jumpsuit

Welcome to my monthly 'Free Pattern Friday' feature, where I road test a free sewing pattern or tutorial: sometimes a children's one, sometimes an adult's one. I publish these posts every first Friday of the month, timed to provide inspiration for those who plan to get their sew on over the weekend. I firmly believe that, if you pick your projects carefully, sewing doesn't have to be a crazy-expensive way to clothe yourself and your family. Thanks to all the amazing pattern designers who have offered up their hard work for us to enjoy for free.

Friends, have I got a blinding free pattern to tell you about today?! (Short answer: yes.) You've probably already heard of the amazing resource that is the Peppermint Magazine's collection of free sewing patterns. But if you haven't: this Australia-based magazine employs the talents of an indie pattern designer to produce a free sewing pattern to coincide with the release of each print edition of their magazine. The magazine is released quarterly, so that's four incredible new free sewing patterns a year with 41 patterns already available to trawl through. The patterns are really easy to access; the A4 and A0 pattern files plus instruction documents are downloaded directly from each style's webpage, with just a sign up to their newsletter required (which you can obviously unsubscribe from, should you wish). It is also easy to donated a few quid if you can afford to, and seeing as print magazines are generally in a precarious position these days, I think it's important to do so to say thanks and to support this wonderful resource. 

Pattern type:

The pattern I've just road tested and am writing about today is the Valley jumpsuit. Designed by Raphaëlle Bonamy of Ready To Sew patterns, the Valley jumpsuit is a casual, super wearable style with elasticated waist, button front and large patch pockets. I absolutely love that the instructions are available in English, French and Spanish. The design itself is is really clever, consisting of just three pattern pieces that need to be cut from your fabric. The bodice and sleeves are ingeniously formed from just one pattern piece that you cut a pair of, and in the same vein, the trouser part has no side seams so is also made from one pattern piece. To get the garment on and off, the button front is assisted by a small back neck closure to open things up sufficiently.

Sizing info:

There's so much talk in the sewing community in recent months (years?) about size inclusivity, and many pattern companies are listening and expanding their offerings. I think the sizing of this particular pattern is a great example of what we'll see from most sewing pattern releases in the future. Spilt into two ranges (sizes 32 - 46 drafted for a B-cup and sizes 46 - 58 drafted for a D-cup) resulting in busts from 31" to 54" and hips from 35" to 60" approx. being catered for. In total the pattern has been graded to 28 sizes, including half sizes, which should help you to achieve an accurate fit. I appreciated that the garment ease for bust, waist and hips has been shared to give additional information when picking a size/s, because who wants to toile/muslin a whole damn jumpsuit?!

For mine, I used the size 38 for the top part of the bodice, and blended out to the size 40 below the bust for the waist downwards. According to the size chart, I should have gone for a larger size for the waist, but the elasticated waist meant that I was easily able to accommodate by tum. 

Fabric info:

The Valley jumpsuit instructions suggest that you select 'light weight fabric with drape ranging from tencel, cupro, linen, ramie or hemp, batik, poplin or light denim' for this pattern. 

This is my third jumpsuit made from African fabric, I just think they're a match made in heaven, and I'm sure this will end up getting as much use as the other two get. This particular fabric was given to me by Wax and Wraps, who sell African textiles by the metre, or in fantastic, monthly, sewing subscription boxes. It's a printed version of a traditional fabric from Cameroon called Ndop that's usually resist dyed with indigo. Check out this interesting article for more info on Ndop. This fabric I used for my jumpsuit is a wonderful, light-weight cotton with a similar handle to a poplin, but slightly less crisp. Because there's a linear aspect to the print design, there's a noticeable chevron effect at the centre back seam of the bodice, which I really love. The fabric was slightly narrower than the pattern called for, plus the fabric matching gave me some additional head-scratching, and I ended up having add a seam and piece the fabric to fit one of the bodice pattern pieces. I defy you to spot where it is in the finished garment though! 

Findings:

Going back through the instructions to write this post, I'm still blown away by the inclusivity of the sizing. I'm sure that sadly there are still a number of sewers that aren't able to fit this pattern who otherwise would have liked to have tried it, but that really has to be small minority. I'm also still really impressed by the drafting: that such a cool-looking, well-fitting style has been achieved with effectively just two pattern pieces. However, because there are so few pattern pieces, and subsequently fewer seams, I wonder if this style offers fewer opportunities for making fit adjustments, I don't know. 

Anyways, on top of my standard blending between sizes, I also shortened the bodice length by 1.5cm to allow for my short-waistedness (AKA high natural waist line). I usually have to remove about 2cm of length from the torso area of all sewing patterns I make, yet this time I wish that I hadn't. If I make another, I'll add that measurement back in because raising my arms up isn't the most comfortable! I might also lengthen the front and back rise on the bottom part a bit, because the rise on this garment is definitely higher than the rise on my other jumpsuits (my Zadie jumpsuit, pattern by Paper Theory and my Roberts Collection jumpsuit, pattern by Marilla Walker). If you are tall and/or have a long torso, I'd definitely recommend lengthening the bodice pieces before you cut out your fabric. It's always easier to remove any extra length that it turns out you didn't need, than to try and figure out how to add in some extra length later on.

Speaking of cutting out your fabric, one downside to having just two mammoth pattern pieces as opposed to a number of smaller ones is that I found that I wasted quite a bit of fabric in the lay. This was compounded by the fact that I had some pattern matching to consider. However, even though you have to cut the pattern out of a single layer of fabric, the cutting out process was probably quicker and potentially less of a headache than a pattern that consists of more pieces. 

When it came to the actual sewing, the instructions were wonderfully clear and easy to follow. To prevent the instructions document from becoming too unwieldy, some steps are included as links to posts on the Ready To Sew website, or in the case of the steps for making the waist casing, a YouTube video. This provides space for more detail and clearer visuals for these potentially tricky bits. I'm sure it's particularly helpful for visual learners, and turns this pattern into a real learning opportunity for beginner sewers.  

As I mentioned above, I would have preferred a tiny bit more length in the body and possibly the rise, but beyond that, I am genuinely thrilled with this jumpsuit! I wasn't sure initially that I liked the look of the patch pockets. I added them thinking that I could remove them at a later date, however I really like their placement and proportions now they're on the actual garment. 

Customisation ideas:

• Shorten the sleeves
• Shorten the leg length to make a playsuit/romper
• Add a side seam to the trouser section then taper or widen the leg shape for some different looks. It's amazing what this can do to completely alter the feel of a garment
• Adding a side seam to the bottom section also allows you the possibility to add inseam or slanted pockets if you'd prefer 
• Change the neckline to a V-neck
• Use smaller buttons and group them in pairs

Would I make it again?

Yes I could easily see myself making more of these, probably in a solid fabric, a black linen perhaps. 

Ankara Tamarack Jacket

My love for the Grainline Studio Tamarack jacket pattern developed slowly. As in, it took a couple of years. If this pattern was a potential partner, they would have written me off long ago! My interest grew over time, but it took the vision of an Ankara (AKA African Wax fabric) version that finally made me commit to the plan and I begun to gather supplies. Then a couple of weeks ago the time came to give back the overlocker I'd been borrowing. I looked through my list of potential sewing projects to work out what I could make next that could be made entirely on a regular sewing machine. Although the pattern suggests rather than specifically dictate to do so, I felt that binding all the bulky seam allowances would be the best way of finishing the innards. Therefore, it seemed like a good time for the Tamarack project to rise to the top of my 'to make' list. 

Fabric: 

Last Spring, I saw a woman in a supermarket car park with a really bold puffer jacket. I can't remember exactly what it looked like, but the print reminded me of an Ankara design and my mind went straight to the potential options that were dwelling in my stash. This particularly length of Ankara fabric was brought back for me from her honeymoon in Ghana by my good friend Anna over ten years ago. She told me about the overwhelming awesomeness of the vast fabric market where she bought it, but she knows me well as she picked out the perfect print and colour way for me.  

Shortly after receiving it, I made some of the fabric into this 1950s style retro dress (pictured above). And a year or so later, whilst pregnant with my daughter, I made a dress using the Made by Rae Trillium dress pattern, then called the Washi dress pattern (pictured below). 

Historically, I have kept very few of my me-mades once I have stopped wearing them. However, I kept both of these because of how amazing this fabric it. So I harvested what I could from both, and located the final piece leftover from the original length. Even so, I had to piece the fabric together in a couple of places: around the shoulder/yoke area on both the fronts and the back pieces. I was able to pattern match pretty well, AND I was able to stitch along the joining seams during the quilting step, so I think they are effectively hidden. Finally, I pieced the scraps together to make the self-binding. There really is very little of this fabric left now!

The Tamarack pattern directs you to use the same fabric for both the inner and outer layers. Obviously that wasn't going to happen with mine due to the limited fabric, plus I wanted the ease of taking it on and off that you get with a traditional, slinky lining fabric. I got this navy viscose lining remnant from Fabric Godmother, and made bias binding from the leftovers to bind the pocket edges and all the internal seam allowances. 

The other element that I had to purchase for this project was the quilt batting/wadding. After reading the advice on the Grainline blog, I decided I wanted to source some wool batting rather than cotton for a warmer jacket, but i just couldn't find the size required (twin) in stock anywhere in the UK. As a second choice, I went with a batting made 100% from recycled plastic bottles. I flatter myself by thinking that my green-washing radar is pretty well tuned, but you wouldn't believe how thick they were laying on the 'this product basically saves the world' message in the packaging! It completely ignores how much energy is required to extract usuable polymers from that 13 discarded plastic bottles, and to turn them into quilt batting (which is then wrapped in plastic and shipped to Europe from the US). And looking at the reviews in the comments section of the website, some other customers seemed to have taken the 'I bought this and have just saved the world' perspective on board! Lols. Anyways.

Pattern:

As I say, I wasn't always sold on the style of the Tamarack jacket pattern. Chatting with Mr SoZo about this, I finally figured out that it reminds me of two things: A) the kind of jacket that an elderly Chinese farm worker woman might wear, and B) detachable lining that might be part of a Very Practical Coat. Once I'd made these stylistic links and the question was no longer bugging me, I was honestly much happier to go ahead with the project! 

As with almost all patterns I use, I made a couple of initial adjustments to this one. I blended between sizes at the side seams (my waist and hips usually fall into a size category that is one size larger than my bust), and pinched out about 2cm from the length of the torso on the front and back pieces to account for my short-waistedness. Being able to make these simple (and now automatic) adjustments is such a blessing, and would be worth learning how to sew for even if I didn't actually enjoy it!  

The trickiest part of the project was the welt pockets. When my batting arrived, it was thinner that I expected, but that was partly to my benefit as the construction of the pockets would no doubt have been more difficult if it was been thicker. I declared life too short to pattern match the welts, and once the binding was added to the edges, I think the mis-match of the welts looks fine. Due to the limited amount of fabric I was working with, I was able to match the pattern at the centre front, but couldn't align the colours of the design. 

Thoughts:

I wasn't able to collect all the relevant materials for this project until recently, and because Autumnal jacket weather had passed, I'd kind of shelved the project in my mind until the Spring. However, we've had an (alarmingly) unseasonably warm couple of days lately so I got to wear this out in the world yesterday for the first time. I still feel the elderly farm worker vibes are present, but I also believe that the bold fabric print off sets those vibes enough that it looks pretty stylish. The fit is comfortable, plus the sleeves are narrow enough that it might prove a useful layer underneath my grey Cocoon coat when the temperature really drops and I want to give my Buffalo Check coat a break. 

There have been some amazing quilted coats and jackets popping up on IG recently. If a suitable quilt appeared in a charity shop, I'd be tempted to make it into another Tamarack jacket, with the quilting stage having been done for me. And even if I don't use this particular pattern again, my eyes are definitely opened to the stylistic and thermal qualities of quilted clothing! 

Ankara Roberts Collection Jumpsuit

I've been getting a lot of satisfaction recently from using some of the older pieces from my fabric stash. This African wax print (AKA Ankara) fabric has been in there for at least 8 years, and became many different project in my mind before I actually made it into this jumpsuit. 

Fabric:

To finally get this fabric out of my stash and into my wardrobe, I added it to my #2020makenine plans (which you can see in this post). As Ankara/African wax print fabric goes, this one is pretty stiff, so finding the right project for it had taken me some time. I'd pre-washed it twice to see if it would soften up, but I think that's only going to come with lots of wear and the sporadic washes it will receive over (hopefully) years. 

As you can see, this fabric as a bold, large-scale print. I had quite a bit of it, but full-length jumpsuit patterns are hungry for fabric, so I didn't have the luxury of trying to match sections of the print at any point. I think the random-ness and resultant placement looks fine though. 

Pattern:

I've been in love with the Roberts Collection pattern by Marilla Walker for yonks. You get a lot of bang for your buck with this one, as the pattern includes a jumpsuit, dungarees, pinafore and top patterns. I finally decided to buy it in paper form from Fabric Godmother just before lockdown. 

(image source: Marilla Walker)

I traced the pieces for the jumpsuit off as I wanted to retain the original. I knew I'd been making some adjustments, plus you never know if you'll need a different size somewhere further down the line. Firstly, I altered the shape of the back pieces, to change the inverted V-shaped seam (see the line drawings below) into a regular, straight waist seam. I always have to remove length from the torso of tops, dresses and jumpsuits, and even though I then folded out 2cm from the front and back pieces to account for this, I wanted the option to add some length back or remove more length, should a mid-way fitting deem it necessary. 

(image source: Marilla Walker)

Thoughts:

I was hoping that the unfussy, casual style of the pattern would prove a suitable canvas for this intense print, and overall I think it just about works. There's a slight vibe of sleeping onesie/pyjamas about it, but that doesn't bother me at all. I could have positioned the lowest button slightly higher, which I would alter next time. Plus there's something slightly off with the fit around my bum (it often needs readjusting after leaning forwards) but it's not a major issue, and I reckon I could sort that out for future versions by comparing the rise of this pattern with the rise of the Heyday dungarees pattern. Ultimately though, I'm very happy with this make and wearing it is a lot of fun. I've got more older-stash items busting to share with you soon.