Honeymoon Leopard Twill Pinafore

Over the last few months, I've been doing a lot of thinking about the fabric that lives in our stashes. A lot of the thoughts have become podcast episodes, including Fabric Goals for 2024, Seasonal Stash Organisation, and Sew the Precious with Stephanie Canada from Backroom Finds. I'm more convinced than ever that leaving our fabric sitting on a shelf or inside a tub or drawer, is an enormous waste. Participating in the Last Sewist Standing challenge led me to face some of my own long-term stash residents, and a clear out in advance of attending a fabric swap in London helped me address what I genuinely wanted, and what needed to be passed on to another sewer. 

Fabric:

I took my two oldest stash dwellers (and my pal Catherine!) to the London Fabric Destash Swap, and I have no regrets. The were both amazing quality, deadstock fabrics from Burberry that had been in my stash for about thirteen years. I'd used half of both of them and I just couldn't see myself using the rest. Well, with those lengths out of there, this length of leopard print twill took on the status of oldest stash dweller!

I bought about yard or so of this stretch twill from Mood Fabrics in New York during our honeymoon in 2012! I had a very Rockabilly-inspired look at the time, and I bought it with the intention of making a knee-length pencil skirt. However, soon after our return, I became pregnant, and that skirt never got made. I continued to enjoy the fabric, even as my personal style shifted away from Rockabilly, but the limited quantity made it tricky to find a use for it. 

(image source: L. F. Markey)

Pattern:

A couple of months ago, lightning eventually struck and the idea of a pinafore emerged! I'd recently had to declare my much-loved and often-worn black denim Cleo pinafore unwearable due to body changes, so I was missing a pinafore in my wardrobe. Then I saw an advert for the L. F. Markey dungarees pictured above, and found the shape of the bib really inspiring. So I unearthed my Tilly and the Buttons Cleo pattern pieces and drafted a new bib shape, and new pocket shape for it for good measure. 

The project: 

Cutting the pinafore from the limited fabric was a challenge. The leopard print fabric had two darker sections running parallel down the length of the fabric, and it required a bit of Tetris-ing to get the front pieces, back pieces, pockets and straps out of the fabric in a way that suited the darker and lighter parts of the design. The facings were cut from a remnant of dark blue stretch denim because there was no way to squeeze those out of the main fabric as well. 

I decided to alter how the garment was constructed. I wanted to future-proof this garment and make it as easy as possible to let it out if necessary as and when I change shape again. I learnt so much from making the two Sewing for Body Changes episodes (Part 1 and Part 2), and I've tried to apply those lessons where possible. During a mid-way fit session, it became clear that I had to take it in at the side seams a lot, so I now have very generous side seam allowances, which is great!

Thoughts:

I'm soooo happy that this pinafore now exists! I've worn it quite a bit since completion, and it's so nice to have the fabric on my body rather than in my stash. I figured out that that length of fabric has moved homes with us five times in those twelve years! I'm hoping it'll soften up a tiny bit through wear and washing, and I have no reason to suspect that it won't. 

Oliver + S Hopscotch Skirt Pattern Hack Tutorial

Here's a super-easy pattern hack tutorial that was previously published over at The Village Haberdashery's Daily Stitch blog back in September. Thanks to them for allowing me to repost it over here. It features the second of my creations for the summer instalment of Kid's Clothes Week, donchaknow. 

If your interested in sewing clothing for little girls and haven’t come across the Oliver + S Hopscotch pattern, then allow me to introduce you! The skirt, in particular, is a wonderful, timeless garment that has perfect proportions and great details. However, it only really works in solid fabrics or prints with a small-scale design. The skirt’s button placket and clever pleated pockets would most likely chew up a larger design of print. But wait! I have the answer: an incredibly simple pattern hack that turns the Hopscotch skirt pattern into the ideal canvas for fabric with a bold print. We’re going to ignore the pockets and omit the button stand.

In fact, I may be cheeky even alluding to this as a pattern hack. Because we’re not actually going to alter the pattern pieces at all: we’re just going to use them slightly differently and alter the construction method a tad. Aside from being able to now use this pattern for a wider range of fabric designs, it also pretty much halves the construction time. Which may appeal to you, whether you’re creating wardrobe staples for your little girl, or whipping up a cute gift for someone else’s!

You will need: 

• Oliver + S Hopscotch sewing pattern 
• Fabric (I used about 50cm to make size 3T, more may be required for larger sizes, narrower fabric or larger repeat designs) 
• Thread 
• 3/4" or 20mm wide elastic 

Trace the pattern pieces in the size that you require to preserve the other sizes for future projects. For this hacked version of the pattern, you will only need the front skirt piece, back skirt piece and front waistband piece.

When positioning the pieces on your fabric, ignore the ‘cut 2’ direction on the front skirt piece and front waistband piece. Instead, position these two pieces on a fold (like the back skirt piece) as pictured above. You’ll need to trust me on this: the dimensions of these pattern pieces mean that, even though you are using them on the fold and omitting the button stand, the measurements of the finished skirt will remain the same as if you made the regular version of this skirt pattern.

Once you have cut out the pieces, snip a tiny notch at the centre fold on the bottom edge of the front waistband piece, and another tiny notch at the centre front fold at the top edge of the front skirt piece. These notches will be matched up during construction.

The main difference in the construction of this hacked version is that you will now be making one front skirt panel (see above), rather than two. Gather the top edge of the front skirt piece and apply it to the front waistband piece, and continue the construction as per the rest of the instructions.

Congratulations! You have made the ideal gathered skirt, AND saved yourself some precious sewing time. Now, stop being so selfless and get back to making something for you!