Jeggings!!

To be honest, I have some politico-philosophical work to do. As damaging and negligent as ‘fast fashion’ is, I do see fashion trends as the relevant social and cultural barometers that they are. Innovators and creative peops who act as conduits to the zeitgeist play, and have always played, an important role in teaching us about our times, and some of these do so through the medium of clothing. Inevitably, this gets replicated, filtered and digested by clothing manufacturers who mass produce some of these resultant looks for anyone who wishes to partake. The speed and low price points at which the high street versions appear can be dizzying.

I guess my personal crux lies thus: I enjoy checking out the magazines, and hitting up Oxford Street when I’m back in London. I want to know what is happening in the society that I am a product of, even if I choose to opt out of some of it’s ‘trappings’, and desire to see it’s values significantly altered. But I can’t abide the route that these trends take to get to the magazines and high street stores. I know how I can experience new and current flavours, trends and styles (mainly by heading to Brick Lane on a Sunday) and how people could purchase more responsibly the manifestations of these trends (buying from ‘edgy’ independant designer/makers through market stalls, etsy, etc.) but I can’t see how the ‘trickle down’ effect to the high street, with it’s emphasis on turnover and profit, is anything but inevitable. Plus, aside from it's phenomenonaly rapid and cheap turnover, the high street is sometimes also capable of interpreting and developing some really interesting and desireable items. I hate myself for saying it, but sometimes I find the high street a real source of inspiration. Personal contradictions abound. If anyone has anything to contribute to these concerns, my moral wellfare would be very grateful for any input.

All of which is my funny way of introducing a recent creation: the jeggings! As you may know, I’m a fan of loose tops, smocks and tunics. They are cute, super-comfy and permit a big dinner! But to balance this silhouette out, I feel skinnier leg wear must be deployed. Tight jeans can feel restrictive, especially if you are wearing them all day. I’m not much of a fan of leggings since my involvement with them as an under-ten year old. Please enter the third option: Jeggings!

I spent a long time researching jeggings in shops and on the internet. There seem to be many varieties within this sub-section of bottoms. Some are effectively just leggings, with no fastening, elasticated waistbands and fake topstitched pockets and fly fronts. Others work much like jeans, with functioning fly fronts and pockets, but have been fashioned from extra stretchy fabric. Oh, and fear not, I have waited way long enough to jump on this trend band wagon to be in fear of actually being trendy, as this pair I found in the children’s section of Zara proves!

I decided to use some more of the navy stretch fabric I used for my first version of Ruby shorts (I really can’t remember how or why I ended up with so much of this particular fabric), and apply massive amounts of jeans-style topstitching to evoke a denimwear feel. I based the pattern on an existing one I traced at a clothing company I used to work for, but graded it up a size due to the sad outcome the last time I attempted to make this pattern. I was too lazy to attempt a fly front, but was sceptical that the fabric had enough stretch accommodate a simple elasticated waistband, so I opted for a concealed side zip with a fabric panel behind to prevent the zip rubbing against my skin.

They have patch pockets for the back, non-functioning fake front pockets, and a fly front ‘ruse’ created simply by topstitching the fly shape. I also made a fake lap-seam effect on the outside leg with yet more topstitching, which didn’t go well near the concealed zip (who would have thought) and I ended up breaking two needles and holding up proceedings until more could be purchased.

The half-time fitting showed that they were inexplicably too big and required taking in. I also spent approximately a thousand hours altering and re-altering the leg shape to get the desired skinny look but without the constricting feeling that would prevent all day wear.
Then end result is marred only by the cheapness of the fabric, and its inability to retain the garment’s shape for more than one wear. But in general I’m happy, and thankful I mustered up enough patience to mark all the alterations I made onto the pattern, so I have a good basic tight trouser pattern to work from in the future. I may not be any closer to the answers, but at least now I have some new trousers in which to ponder my philosophical quandaries.

At Colette Patterns this week: 'Sew and Save!!!'

Sewing can get pretty expensive at times, what with nice patterns, gorgeous fabric, pretty buttons and all the less exciting things like mock-up fabric, thread, lining, zips blah blah blah that usually go into our creations. So, is sewing a passtime only to be indulged in when you’re feeling flush? HELL NO it isn't!!! If you're looking for ideas of how to keep your costs down, then you'd do worse than to check out my post this week over at Colette Patterns.

Make Do and Shift

Although this blog largely provides evidence to the contrary, I am actually aware that there are other people out there who make and do interesting things. There are so many awesome sites, blogs and bloggers out there who are committed to discovering and reporting on them in intelligent and humorous ways who catch on a thousand times quicker than I do, that generally I let them get on with it.

However, one such person who makes and does interesting things that I really would like to discuss is Vancouver based Natalie Purschwitz: designer/maker of a small clothing line called Hunt & Gather, and more importantly for the purposes of this post, the creator of a quite frankly fascinating project called Makeshift, which is best described in her own words:

"MakeShift is an art and research project that examines the relationships between 'making', 'clothing' and 'living'. The basic premise for the project is that for a period of one year starting on September 1st, 2009, I will only wear things that I have made myself. Initially this may seem like a reasonable task, but it will include all of my clothes, socks, shoes, underwear, coats, jackets, hats, bathing suits, accessories and anything else I might need to protect my body from the elements while trying to lead a fulfilling life."

Arguably it could be viewed as ‘I see your Wardrobe Refashion pledge, match it and raise you actually making EVERYTHING from scratch’! But where the Makeshift project differs from WR, is that it seems to be grounded in an art based investigation of culture and personal development. She explains “I hope to gain some understanding of the limitations of clothing and how they affect the development of ideology. Ultimately, I would like to examine the role of clothing as a form of cultural production”.

It is not a community project like WR, Makeshift is a personal “attempt to take responsibility for one of the three basic human needs - food, clothing and shelter”, but I’ll be very surprised if she doesn’t inspire others to attempt something similar. WR’s focus is largely to reuse what has already been produced, thus keeping it out of the landfill AND not adding to the demand for more environmentally damaging (and often sweatshop produced) clothing. Although reusing materials is not Makeshift’s primary concern, she does address the issue thus:

“I am trying to use materials that I already have (I have a lot) as well as re-purposed materials, found materials and materials that people have given to me (my favourite). I am conscientious about my materials and am considering where they come from as part of my larger agenda of critically questioning the roles of clothing and being clothed. I hope you will also view this as valid approach to materials”

AMEN! For ages now I’ve struggled with whether it’s ok or not to buy new fabric and I think her approach is the most balanced and a good manifesto for home sewing.

Natalie decided to do the Makeshift project in first place since “I noticed that I was often wearing at least one thing that I'd made myself. It made me wonder....hmmmm.... Could I??? Would I???”. As time passes and my wardrobe’s mass manufactured garments slowly become replaced with handmade items, like Natalie I too increasingly find myself out and about in homemade togs. So the natural question is: could I personally follow such rules as she? I must admit the challenge and ‘extremity’ does appeal. It would be such a massive learning curve in terms of skill acquisition. The production of underwear, knitwear, outerwear and in particular footwear interests, thrills and terrifies me, but these are achievements and discoveries I want to take my time over. Also, putting aside mass-manufactured garments I already own from ‘before’ seems a little pointless if attempting to adopt these rules for anything more than an experiment existing within a limited time frame.

I am enthralled to hear Natalie’s further thoughts and revelations as she continues this experiment. Already she has begun to consider her wardrobe almost like a survival kit, and as she determines new requirements and produces them, her 'kit' continues to grow. Makeshift highlights so many thoughts, contemplations and debates for everyone disposed to questioning their consumption, and in further ways, for those who choose to produce or make additions to their wardrobe using their own fair hands. For me, one of the most interesting elements of this experiment is how her thoughts and practices will have altered, or not, once the year is up, and I do hope she continues to record these online to contribute further to these debates.

Ignoring Lessons

Do you remember when you were young and you were anxiously trying to get your important (probably only to you) point across, and the (usually older) person you were speaking to interjected with something really profound and apparently wise, to which you nodded politely but glossed over because you were so desperate to say what was on your mind? And then later, possibly even years later, you go through heaps of hassle and annoyance by creating a load of mistakes that really could have been avoided if you’d actually heeded what it was that that person was trying to tell you after all?

OR, maybe you have acquired yourself an honestly earned set of experiences that become relevant when faced with a new situation, that you gut is urging you consider but you doubt them and forge ahead with the course that you are being instructed to take anyway?

OR, you know that you really should investigate and begin to apply methods that have been deployed by many generations before you, but in the heat of passion that fuels the initiation of a new project, you can’t bring yourself to hit the pause button and get yourself learned, to the detriment of your project? A bit like sticking your fingers in your ears and saying ‘La la laaaaa’ loudly, hoping all will be well anyway?

Well, who knew that taking on this vintage shift dress pattern would touch upon all (and more) of the above of life’s anomalies?! Not I! And yet....

Something that I’m pretty sure I have heard roughly 347 times before via my mum and other wise dressmaker owls, but that I had to discover for myself, the more simple a garment appears, the more difficult it is to create a good fit. When a style has pleats and tucks and frufru all over the shop to distract the eye, the less important it is to create a well balanced garment. I thought this pattern, of unknown date (though I’m guessing maybe 1973?), which I scored for very little from ebay would be a doddle to run up. Despite this, I managed to stave off boldly attacking my fabric and rustled up enough patience to lay the pattern out before hand and compare it to both my beloved Simplicty 3835 AND my own personal bust measurement. I gleaned the comparative information and then promptly threw it out of the window, perhaps in the odd belief that the pattern makers working approximately four decades ago knew more about my body shape and desired fit than me. I guess I find it hard to trust my own, limited but relevant, experience.

To cut a long story short, a fair amount of unpicking, recutting and restitching occurred, resulting in this flawed but wearable outcome. I love the fabric which I pounced on when I saw it. It’s some type of synthetic blend that my mumma got me when she came to visit. It was nice to work with, and has a certain amount of stretch which I think was a mixed blessing. Aside from the general shape, I think the main flaw is the sleeve, as they don’t sit in the armholes very cleanly. Now I reckon this could either be due to A) the fabric having more ‘give’ in it than most wovens, B) something strange I did either setting in the sleeve or when recutting the armholes closer in to improve the garment fit, C) the sleeve pattern includes too much ease, or D) the instructions which tell you to ease in the excess between the front sleeve head notch to back sleeve head notch, rather than from two points much closer like I’ve come to expect. Or a combination of the above. Answers on a postcard. On both the front and back of the sleeves, strange pulls or bulges are visible, but seeing as I’m not sure what the fault lies, I can’t approach correcting them, so tend to squint when looking at those bits. I find squinting makes things less visible. Sometimes they pretty much disappear altogether. Try it sometime.

On the plus side, the shape of the sleeves is a departure for me and is pretty cute. The awesome (vintage?) buttons were a recent birthday gift from my amazing homegirl Silvia, which I applied to create a mock bib effect, and I think they add a really cute and unexpected element to the dress. The dress itself is very comfy (I wore it all day last Sunday. I cannot ABIDE wearing anything on a Sunday that doesn’t have a high level of comfort). Plus, it is plain enough to be rocked with any of my gradually expanding range of colourful opaque tights.

At Colette Patterns this week: 'Get the Notions'

My second post for the Colette Patterns blog is a sneaky peek at the fascinating and often antiquated Haberdashers here in Barcelona. My experience of the these simultaneously intimidating and alluring establishments can be read here, should you fancy a gander.

At Colette Patterns last week: ‘Martí’s Method’: Pattern Making in 1929

My first post for the Colette Patterns blog was published last week. The post features a fantastic pattern cutting book which was published in Barcelona in 1929, that had been saved from the jaws of death. We also listen to what the self-appointed pattern guru/author has to tell us about the pattern cutting's state of play in the late 1920's, and have a squiz at some of the beautiful illustrations. Just so you know.

Zoe ♥'s Colette

I know I've previously mentioned how much I love the independent dress pattern company Colette Patterns, but in case you forgot, I love it masses. It’s not only because they produce patterns for beautiful garment styles that exude a subtle vintage feel. Or simply because the booklets and patterns themselves have been painstakingly created from scratch by a real person who’s clearly put their heart into each step of the process. Or that the whole shebang perpetuates the concept of an anti-corporation based economy (well it does to me). Or because they have a stunning website that is crafted and maintained by the creator of the actual patterns, which makes the whole thing really personal (unlike the monolithic faceless and unapproachable pattern companies we are used to dealing with). Or EVEN because the website has a fabulous blog which oozes inspiration through posts related to sewing, fabric and style. It is a combination of the above.

Ok, so now that that’s clarified, let me tell you about two of my favourite elements of the blog. Firstly I really like the posts where they show real sewers’ interpretations of the Colette patterns. It’s so interesting to see people’s different visions that result in such different looking garments which are essentially the same style. My version of the Beignet skirt was featured in this post. I also love this version of the Macaron dress, and this version of the Parfait dress.

Secondly, I really like that I am now a guest blogger on the Colette Patterns blog! Yes indeed, I will be contributing one post a week. I’ll add a link from my blog here each week to keep anyone who’s interested up to speed. I really like my introduction here which I may adopt as my personal mission statement/manifesto!