Denim Patchwork Dungarees

This project, as you can imagine, was not a speedy one. I've been obsessed with the idea of combining fabric scraps to make more 'fabric' for garment sewing projects for a while now. Previously, I've done this with viscose, cotton lawns and jersey fabrics. And having been left with some scraps from my son's reclaimed denim dungarees (see below), I decided to combine those with the rest of my other non-stretch denim scraps to see what could be made from them. 

 

Inspiration came from a number of conversations I'd had for my podcast Check Your Thread, and fortified by an online workshop on abstract piecing hosted by quilting legend Sherri Lynn Wood. I love how I can remember where almost every one of these pieces of denim came from. It's also allowed me to use the very last scraps of some of my absolute favourite fabrics. 

There are sections where you can see the darker denim exposed by removing pockets (#pocketshadow!). And there are fade lines that have been exploded by unpicking and letting down the hems. The dungaree straps and chest pocket were reclaimed from my Cleo pinafore, and the front and back pockets from my Lander pants, all of which were harvested when I 'decommissioned' those garments in preparation of making my son's dungarees.  

The denim pieces are combined with a 1cm seam allowance, which I then overlocked together, pressed to one side and top-stitched down. I wanted to give the denim 'fabric' as much strength as possible, but I didn't have the energy to make flat felled seams at all the joins. I also thought that flat felled seams might create too much bulk in some areas and make the eventual garment construction a bit tricky. I wanted to create sections where the pieces were quite small, and others that included larger panels for variety. 

Pattern:

Having combined the pieces into four large panels, I cut the pattern pieces from them and constructed the actual garment. I used my TNT Heyday Dungarees pattern (pattern by Waves and Wild) as the basis. This version obviously took way longer to create than my first and second version. However, reusing and applying existing pockets is soooo much easier and speedier than making new ones!

Thoughts:

How 90's do these look?! I didn't expect them to look quite so retro, but I'm ok with it! I had a lot of fun making these, and it scratched a creative itch that making something from a flat piece of virgin fabric can't always reach. 

I've worn these a lot and they've received a surprising amount of love. My friend Eve even said she wanted to lick them! I'm very excited to see how they change over time with wear and washing. I'm hoping that the seams joining the pieces will start to get some interesting fading, and that the pockets will start to blend in more. 

Reclaimed Denim Freddie Dungarees

I've been so inspired by many of the conversations I've had for my podcast Check Your Thread. I guess it was inevitable that inspiration would express itself in my sewing projects! Speaking to Riccardo Guido made me realise that I'm storing (hoarding?) a number of garments that I no longer wear in my wardrobe. I came to accept that I was unlikely to wear my denim Lander pants again because my body shape has changed now that I am firmly in my middle age. And the Cleo pinafore that I made with that leftover precious denim was almost never reached for, and when I did wear it, I didn't feel great. I realised that the lovely broken twill denim could be harvested and turned into something that would see much more use. 

Fabric:

So I unpicked and cut apart both the trousers and pinafore in order to harvest as much of the original denim as possible. I carefully set aside the pockets from both garments, and the straps from the pinafore for a different, future project. As I did this, I had in mind my conversation with Guy / The Light Touch, in particular his concept of 'decommissioning clothes'. I loved hearing about how he assesses old and unworn garments, and figures out what he can salvage and reuse in new projects. 

Pattern:

Frankie had been asking for his own pair of dungarees (and a boilersuit, but that's a whole other thing!) for yonks. I decided to make some for him as part of his Christmas present. I already own the Freddie dungarees pattern by Two Stitches (pictured below), having made the pinafore version for my daughter when she was about the same age. Handily, I was able to reuse some of the pattern pieces that I traced out for that project three years ago for Lola! 

There are things I really like about this pattern, and things I don't. This time round I was able to amend some of those less pleasing elements, like increasing the pattern's scant 6mm seam allowance, and not lining the pockets. For Frankie's dungarees, I also decided to omit the back pockets and the turn-ups with tabs. I added some extra length to the legs to future proof them somewhat. I used no-sew press studs to fasten the straps to the bib, and for the side openings so they'd be easier for him to take off himself. 

Thoughts:

What is extra pleasing about this project is that I was able to take the fabric from the Landers and Cleo and keep it in use as a garment. This is what Shelly Sommer was talking about when we discussed keeping materials at their highest possible level of use. I was so into that concept that I've actually recorded another conversation to be released where I asked her to go into that concept further still. 

Although I made these dungarees before I had the pleasure of speaking with Eliu Hernandez, I can now recognise and appreciate the pocket shadow that I had to include at the top of the back legs (see above). The pocket shadow occurred when I removed the pockets from the Lander pants, but because of the size and shape of the pattern pieces, including that darker section when cutting out the Freddie dungarees was inevitable. I really like it now though: it's a nod to their origins!

Although not exactly thrilled with them when he unwrapped them on Christmas morning, Frankie has since embraced his dungarees. He is very happy to put them on if I select them as part of his outfit for the day. And because they took a comparatively long time to make, compared to the usual simple joggers and such that I make him, I want him to wear them A LOT! 

When you're in the mood, making detailed woven garments, particularly on a small scale, is really satisfying. Thankfully, I gave myself just enough time before Christmas to make these so that they didn't become a stressful rush. I'd definitely consider tracing out a larger size and making them again for him in the future, if he asked me to. 

Denim Shirt Anthea Blouse

I'm so excited to finally share this project with you because more went into it than most of my projects. More time and more techniques, and a lot more thought. This was an idea-itch that I had to scratch, and I was more invested in manifesting my idea than the actual outcome. However, I do love the outcome also!

This secondhand denim shirt has been in my stash for a shameful ten years! I feel bad about that because it's possible that someone else could have been during that time. Anyhow, I was keeping it out of landfill at least! I've always loved those pearly snaps and knew that they had to be included in whatever it was to become.

I'd had my eye on the Anthea blouse pattern by Anna Allen (pictured below) as soon as I clapped eyes on it. I have adored every single version I've seen on Instagram. And it's been a very popular pattern so there are a TON of versions to behold! 

(image source: Anna Allen)

The problem was that I didn't have any pieces of fabric in my stash suitable for the pattern, and I couldn't justify buying a new pattern AND new fabric when I already own a lot of both. I'm not exactly sure where the idea came from to use the denim shirt, but I've been having so many inspiring conversations with interesting people lately for my podcast, Check Your Thread, that my mind is kind of permanently in this kind of zone these days. 

I removed the front pockets so I could fit the Anthea front pattern pieces on, and I love how a shadow of the pockets remain. I reapplied the pocket flap on one side to reference the removed pockets, and stitched it into position with random sashiko style stitching. For this I used some 'proper' sashiko thread that I bought on eBay a couple of years ago but had yet to try. That spot on the sleeve is a hole that I covered with satin stitch to stop it getting any bigger.

As you can probably imagine, this project was not without it's challenges, but I like how the challenges determined the aesthetic in some cases. For example, the pattern pieces for the body were wider at the hem than the original shirt. So I ended up piecing together the side seams with sections of the original collar (see above). I then decided to highlight the join with another row of sashiko-style stitching, which is a theme that I continued throughout the project.

The sleeve pattern pieces on the Anthea are pretty massive, far larger than the original shirt's sleeves. So to form a sufficient area of fabric, I had to piece together pieces of the original sleeves with lots of other pieces harvested from the original garments. I didn't think about it too much, just joined the edges with my overlocker, then 'topstitched' down the seam by hand using a mixtures of stitching styles that I was totally winging. 

I really like the hints of shading and differing colours that existing in the original shirt. However, I tried to play down the patchwork vibe a little, I'm not sure if I quite hit the right balance. 

I made binding from some scraps of lightweight washed denim from my stash. That was used to finish the neckline and the sleeve hems. I don't really like the bias for the sleeve hems and I think the opening is a bit wide. I think I'll go back at some point and make cuff bands instead. 

What is incredibly pleasing is the little pile of scraps that remain from this project. I really wish that I'd weighted the original shirt, and then weighed the scraps to see if I beat the industry average of 15% of fabric wasted during the cutting process.  

The lack of available fabric meant that I couldn't really overthink the placement of various elements in this garment. That felt pretty freeing actually, and I just have to accept the outcome and find elements to enjoy. 

I haven't owned a proper denim shirt since I was a teenager, so I was very surprised by how warm it actually is. Pictured below is how I've enjoyed wearing it the most since I finished it: layered with a long sleeved thermal top underneath and dungarees on top.