Wednesday, 4 January 2012

Guest Post: The Planetary Cost of Cashmere


Today's post is something a little different. I'm very pleased to be publishing a guest blog post written by Grace from Bad Mom, Good Mom. In fact, she is also posting this content on her own blog, so if you already follow both our blogs and are getting a sense of déjà vu, then that is why! Grace is a very clever and knowledgeable lady with qualifications in Chemistry, Physics and Mathematics, and when she's not sewing and looking after her daughter, she finds time to work for the goverment within the field of space and environmental science.

As you may be aware, as someone who sews and works in textiles, I am deeply concerned about the damage fabric and clothing production has on our planet. Yet I find it frustrating that much of what is known by governments regarding this damage has, to date, had little effect on those governments' policies and neither has that information been disseminated successfully so that consumers are suitably informed before making their choices. Grace has taken the time to educate us on a topic that I admit I previously knew nothing about: the cashmere industry.

So Zo asked her readers what bullshit they had uncovered recently. I emailed that I have a whole blog series about bullshit and that I felt a rising rant about cashmere bullshit. I promised to write this post and cross-post it on her blog.

So why was I so upset?

Last month, I had toured the giant Macy's in Union Square (San Francisco), which contained racks and racks of cashmere. They represented a lot of goats! 20-30 years ago, cashmere was a rare luxury, not an ubiquitous gift sold for $49.

Where did they all come from? How could there be enough goats in central Asia to make so many sweaters in so many outlets?

The media was full of stories about
how to be a discerning consumer of quality cashmere or how to avoid being fleeced by adulterated cashmere. Newspapers need to write upbeat stories that draw many readers and teach them how to consume (products from their advertisers). But fearless bloggers like Zoe question whether this consumption is even necessary.

I was in San Francisco for the
American Geophysical Union Fall Meeting and had met Ryan Boller from NASA Goddard, who was showing an improved algorithm for the detection of aerosols from space.

The global dust belt has not received as much press as the global fashion weeks so you might not be familiar with this story. (Aerosols can be dust, clouds--both liquid water and ice, pollution, sea spray and volcanic ash). Occasionally, dust can be injected into the jet stream, a fast-moving river of air that circles the globe. Asian dust ends up in north America, American dust ends up in Europe, European dust ends up in Asia and so on.

The Sahara desert used to be THE major source for dust, but there are other smaller seasonal sources, such as glaciers grinding rocks in Alaska. The amount of dust is rising, and global dust season is lengthening due to both growth in dust sources (industrialization and desertification) and lengthening of local dust seasons.

In recent years, Mongolia has become a major source of dust.
The Gobi desert is spreading up into the Mongolia Steppes and the goats did it. Or rather, we did it, with our shared lust for cashmere.

Pastoralism Unraveling in Mongolia explains


Sukhtseren Sharav has a herd of 150 goats and 100 sheep, and as they chew their way through everything else, and the sharilj spreads, he must shepherd them ever higher into the mountains to find fresh grazing land.

The lack of foraging terrain is not Mr. Sharav’s only worry. The price for cashmere, the wool made from the fleece of his goats, has plunged 50 percent from last year. The price of flour, his most essential food staple, has more doubled.

These are hard times for Mongolia’s cashmere industry, which provides jobs and income for a third of the country’s population of 2.6 million and supplies about 20 percent of the world’s market for the fluffy, feather-light fiber, prized for its warmth, delicate feel and long wear.

To compensate for low prices, herders have been increasing supply by breeding more goats — a classic vicious circle. Mongolia’s goat population is now approaching 20 million, the highest ever recorded.

Environmentalists and social scientists say this is destroying biodiversity and pastureland, and undermining herding livelihoods. But goats are hardier than other livestock, breed faster and can survive on sparser resources: so, the more the land is degraded, the more herders are driven to switch from cows, camels or other less destructive herds — another vicious circle.

This is a tragedy for the herders with global consequences. Aerosols are a strong feedback to the global radiative budget. In plain English, this means that dust traps heat. This can have both local and global consequences as the trapped heat changes the global air circulation, impacting storm patterns, heat waves, etc.

Ryan shared some examples. You can find more in the
NASA Earth Observatory Dust, Smoke and Haze page. Take a look at the dust traveling from Mongolia toward China in April 2011.



The sparsely vegetated grasslands of the Gobi frequently give rise to dust storms, especially in springtime.

Here's another example, from May 2008.

According to a May 27 report from the Agence France-Presse news agency, dust from this storm pushed Beijing’s pollution levels to the highest level, prompting the Beijing Environmental Protection Bureau to warn sensitive individuals to stay indoors.
Seeing the global-scale devastation caused by the cashmere industry, and learning of the suffering it has caused Mongolian herders has taken the luster off cashmere for me. I didn't purchase any this year (though I did knit a cotton/cashmere blend sweater this year with yarn purchased and stashed previously).

If you already have cashmere, don't sweat it.
Take good care of it so it lasts. I have cashmere sweaters that are 25+ years old (one bought new, two bought at thrift shops).

I hope that, after reading this, you will consume more carefully, and in smaller quantities. I further hope that your natural curiosity and bullshit detector will lead you to delve deeper.

I recommend:


Many thanks to Grace for writing this post and for allowing me to cross-post it so that it receives a bit more of the attention is so greatly deserves. I don't know about you, but the more I learn about the production, transportation and disposal of clothing and textiles, the more resolved I am to cut out all unnecessary consumption and only use existing/pre-loved textiles to clothe myself and sew with.

Monday, 2 January 2012

The Rockabilly Bowling Shirt

At some point, I can't remember when, I announced that I would make Pat one shirt for every year that we are together. Well, our relationship is now almost three and a half years old, and until recently there was only the Brokeback balcony shirt and checked book launch shirt to show for it. It was time to get a' stitchin' to make another which would also serve as my Christmas present to Pat.


I have a folder on my laptop in my 'garment inspiration' section devoted to collated images of men's shirts that we both like. There was a strong theme of rockabilly/1950s/rock 'n' roll/diner/bowling type shirts in there that wasn't reflected in Pat's real-life wardrobe. They all have essentially the same basic style: boxy, short sleeved with a folded back revere collar. The specifics of the designs generally came from different panels and blocks of colour. Examples are shown above.

To guarantee a good fit, my starting point was the checked book launch shirt pattern. That had begun life as the Burdastyle Jakob shirt pattern that I had altered to fit Pat's slim shape. The alterations were thankfully so successful that, when quizzed on the fit, Pat was unable to make any suggestions of how I could improve it. To be more in keeping with the rockabilly/bowling shirt aesthetic, I adapted the hem to make it straight with small slits at the side seams. I also made the side seams a little less curved to create a more boxy fit. I kept the sleeves with their faux-turn ups the same and used the original Jakob patch pocket pattern. The main and most hefty alterations came from combining the Jakob/book launch shirt pattern with the collar/neckline of this vintage pattern pictured above (that Pat's sister found in a charity shop and gave to me!) to get the right revere collar effect. This process involved a lot of pinning, tracing, drafting and swearing, though not too much of the latter.

That's Pat pictured above with our glamourous friend, Ciara. I should explain that we saw the new year in at a Madmen themed party, and created elaborate back-stories for our characters and had a mini photoshoot. I can't remember the complex machinations of the six protagonists, but I can remember my alter-ego being called 'Marcy' whose favourite tipple is a Dark and Stormy.

The teal stripe on the left is applied onto the black shirt front with topstitching, rather than creating a seamed panel. I thought that would work better as the two fabric have slightly different thicknesses, and I wanted to avoid any potential wierdness that might occur at the seam when attaching different types of fabric together.

I'm happy to say that this garment was another that cost only my time. I had both the black and teal fabric in my stash, though I cannot remember how either of them got there or for how long they'd made my stash their home. The buttons were also from my collection. However, as ever, using a strickly limited amount of fabric meant I had to be a bit adaptable. The initial plan was to use black fabric for the front facings and yoke, but with not enough black fabric those sections became teal and in that sense the fabric kind of did the designing. Actually, I think I prefer the shirt's overall look with the contrast front facings and yokes, and it would be fun to make a variety of combinations to see how different effects could be created with the application of the different colours.

Happy New Year from Patty and Marcy!!!!

Saturday, 31 December 2011

Laying it Down for 2012!

I hope everyone has had a lovely festive period, or simply a nice period if you don't celebrate anything in particular around this time of the year! But now that is over (with lots of mess and mince-pie assisted belly) and time to taking the ending of one year and beginning of another.

Of course there's always a lot of chat about how New Years' resolutions are rubbish and pointless, but I love the opportunity to take stock of the year that now lays behind us and look towards what we would like to achieve in the year ahead.

This time last year, I wrote a post detailing all the sewing/creativity related activites that occurred for me in 2010. 2011 has been a different fish. Much of my creative activity in 2011 was about expanding and furthering things that had begun the previous year (learning lots in my day job, getting a stronger sense of my personal style, continuing to host the me-made/self-stitched months, co-organising Brighton Craftaganza, developing and expressing my stance on matters like consumerism, sustainability and feminism, and so on). But some of my 2011 activities have been about building stronger ties between creative people (like the Poetry & Clothing project, hosting my first sewing blogger meet-up, organising meet-ups for the Craftaganza sellers).

It was good to take a look back at the aims I had for 2011 and to see which I managed to achieve, at least in part, and which I either over-looked or needed to alter or abort. I think the crux of why some people hate resolutions/aims for a new year, is that they'll feel bad if they don't succeed. I'm kind of innoculated against that because I've accepted that life takes unexpected twists and turns and that these aims are to be thought of as guidelines rather than self-prescribed commandments.

So, on to my creative aims for 2012:

  • Make the three Brighton Craftaganza events that are scheduled for 2012 better than the two events held in 2011. Improve the Craftaganza blog to make it more useful and enjoyable for crafters/designer-makers and provide more opportunities for sellers and local creative people to meet and get to know each other, online and in the flesh.

  • Host Me-Made-May 2012!!! As previously mentioned at the end of (Self-Stitched-) September 2011, there will only be one of these me-made/self-stitched months in 2012, so if you want to get on board, you know what to do!

  • Develop my own little product lines, either my women's wear line (Blatant-Self-Promotion) or my baby wear line (Hey Baby).

  • Teach a sewing class/workshop. The plans I had for this have had to be aborted, but hopefully an opportunity will present itself by the end of the year that will make it possible.

  • Wrap up the first year of the Poetry & Clothing project and embark on a second year.

  • Hopefully bring the discussion/forum into fruition with Tilly.

  • Start an exciting and as-yet-undisclosed project with Cecile.

  • Make some of my self-developed patterns available for free and make more tutorials/how-to's for the lovely readers of my blog.

  • Continue to write longer and hopefully thought-provoking pieces about sustainability, consumption and feminisim.

  • Oh, and sew a bunch of stuff!!!

What about you, do you have any creative plans for 2012? I wish you all a wonderful, creative and fruitful year ahead!!!!!

Thursday, 29 December 2011

Santa Babies

This is the first post dealing with the topic of 'stuff I made for peops this Christmas'. I'm proud to say that a high proportion of the gifts I gave this year were handmade but I always feel like it's bad juju to blog about those creations before the recipient has their mitts on them, even if those recipients are less than a year old and subsequently are not yet avid readers of this blog.

For the three babies on my Christmas list, I made a pair of trousers and pair of shoes each. I know that when these tots get bigger, they'll probably feel disappointed by gifts of clothing. So crazy-sewing Aunt Zo must make the most of these years when they don't as yet feel fobbed off by not receiving a Thomas the Tank Engine-mutant-Power Ranger-in your pocket.

The trousers were all based on the lunch-hour baby trouser pattern I'm addicted to making. They are so quick to make, it's very satisfying to have made a new thing in the time it takes to Patty to have a shower, i.e, about half an hour (I know. In his defense, he has a lot of hair). I added little 'Hey Baby' labels that I got made yonks ago with roughly the correct sizing. I did this mainly to make it easier for the parents so they can quickly denote which way round they are meant to go.

These little navy and white striped trousers and tiny 'old-man' slippers now belong to Pat's new nephew, Dominic, who was only nine days old when we met him just before Christmas.

These cool action-baby trousers and slightly larger old-man slippers now belong to my friend Emma's little son, Samuel. The trousers used to be an unwanted men's T-shirt (see below).



The final set in the trio comprises of pretty floral print trousers and a different design of shoe for my mate Umi's little girl, Surayya.

Let's take a closer look at the shoes....

The little dudes' shoes were created using this free downloadable pattern. I changed the pattern ever-so-slightly so they had a lining, rather than making them them all from fleece as the pattern suggests. I used a scrap of check fabric for the outer layers and used fleece and the fleecey side of a sweatshirt for the lining. I also used some iron-on interfacing in the soles so they are a bit sturdier. I'd say a pair of these take about half an hour to make, including cutting out time. I love that some people share their hard work with the sewing community by allowing their patterns to be down loaded for free. I plan to do the same and share some of my self-developed patterns in the New Year, watch this space.

Anyways, these little dudes' shoes actually seem to function pretty well. You can see Samuel below rocking them in the cafe. They managed to stay on for a couple of hours right up until it was time to leave. Victory!



The second style of baby shoe was a wholely more complex affair. As you can imagine, Etsy has a squillion baby shoe pdf sewing patterns for sale. In the end I opted to buy this one. This style has flaps which close with a popper and little tongues, plus they are fully lined in a super-neat invisible way (unlike the previous style which requires trimming the seam allowances back which makes them not quite so perfectly neat, but much speedier to make). This sneaker style is a far more complex make and took me about a billion days to complete. They are made from some scraps of printed Ikea furnishing fabric I found at work. The print features birds and butterflies as well as your standard flowers-fare which appealed to me. I lined them with some brushed cotton and each pattern piece requires interfacing. I'm really pleased with the result, but I think life really is too short to bother making another pair from this pattern.

Without having the little tot nearby, I had to guess where to position the poppers and I was concerned that they wouldn't stay on, but thankfully Surayya seems to be rocking them successfully:

I know I'm biased, but how cute are these babies? TOO cute!!!!!!!!!!!!!!!! My friends mate cute babies. Fact.

Aside from being able to give a present made with love and good handmade juju, the next best thing about these gifts is that they all cost me nothing but my time. I was able to harvest scraps and leftovers of woven and jersey fabric to make some colourful, and hopefully useful, items for them to wear. What's not to love about that?!

Saturday, 24 December 2011

The Rise of the WABs

‘What the hell is Zoe on about today?’ you may be thinking. Well, the idea of WABs only came to me this morning, so I’m not entirely sure myself at this point but I'll start typing and see if it resolves itself by the end of this post. Let me apply some context...

At some point in the 2000s, the British tabloid press coined the phrase ‘WAGs’, an acronym which provides a collective term for the Wives And Girlfriends of high profile sportsmen, particularly the excessively paid members of the England football team. The queen of the WAGs is, of course, Victoria Beckham but there are many who have regularly graced the pages of tabloid newspapers and celebrity gossip magazines for years and are now house-hold names. Some of these women were celebrities in their own right before they shacked up with a footballer (Mrs Beckham, Cheryl Cole, Louise Nurding), even if that fame usually arose from dancing around in their pants. Others, such as Coleen Rooney, did little aside from sit their GSCEs before their relationship threw them into the limelight, but have since gone on to be something of a success in their own right, the popular assumption being that an interview and cover photo for Vogue has elevated her above the rest.

But the reality is that most of these women are in the position they are in because they are attractive and managed to ‘snag’ a footballer. It’s unlikely that their prized and envied relationships are based on mutual and balanced respect. The power is not equally distributed between the partners: their men hold most of the cards. Every one of these WAGs has been reportedly cheated on by their partners because it would appear that the role that they serve could be fulfilled by any number of attractive and attentive young women in the depths of China White, or whatever is the latest celeb hotspot. No matter how independently powerful and successful the WAG, no Vogue interview, perfume range or Gucci catwalk appearance seems to inoculate them from infidelity.

The pressure on the WAGs to appear beautiful, polished, on-trend, in control and happy despite swarms of paparazzi and Sun journalists feasting on any signs of weakness, must be off the hook. All the while, any hiccup in your relationship, large or small, real or fictitious is gleefully scrutinised and analysed endlessly in the press. But I find it difficult to feel sorry for or respect these women when they have, at every stage, courted and welcomed fame and attention.

Why do they subject themselves to this? Why didn’t they go and find themselves a hot accountant or supermarket manager? Because they have been sucked into believing that celebrity and column inches, no matter if the contents is positive or negative, equates to popularity, acceptance, power and success. They feel that it is better to be ridiculed in OK magazine for having cellulite than to receive no mention at all. The WAGs have also fallen for the patriarchal belief that being a successful man’s ‘other half’ is the best that a woman could ever achieve, and that the most promising opportunities will come from them merely ‘being’: ‘being’ someone’s girlfriend rather than ‘doing’ something interesting and fulfilling. In short, aligning themselves to a talented and/or notorious sportsman will provide them with more national attention and free champagne than even dancing in their pants could bring and if national attention and free champagne are your social currency, then being a WAG is a golden status. What worries me most is that so many young women see this as the life model to aspire to.

But thankfully there are many intelligent women that view the values that have seen WAGs elevated to role models as bullshit. These are the WABs: Women Against Bullshit. An alternate term to ‘Feminist’ if you will. I am most definitely a WAB. I’ve been uncovering and then calling bullshit on lots of stuff of late, for example, the way the fashion press creates and exploits women’s insecurities about their appearance to hawk the products sold by their sponsors. Caitlin Moran (pictured above), is another WAB, I dare say. She’s written a whole awesome book full of things she’s uncovered as bullshit designed to make women feel bad and prevent them from achieving what they are capable of.

Sadly, Feminism has and often still does get used as a derogatory term. The image the term's detractors wish to imply is that of angry, hairy, sexually frustrated women who hate men and wish all females could live separately in some commune which resembles a Herbal Essences advert. In reality a Feminist is someone, male or female, who believes that women deserve equal status and opportunities to men. Simple as. I don’t know how we can reclaim that term and rid it of its bad press. I do think, however, that not being afraid to use the ‘f’ word and to talk openly from time to time about the negative experiences and inequalities (AKA bullshit) that you’ve experienced due to being a woman is a good place to start.

And you know what? I AM angry at a lot of those experiences and inequalities. I AM angry that women still earn on average a third less than their male colleagues. I AM angry that as a teenager I was made to feel that I was worthless unless someone fancied me. I AM angry that female friends of mine who have decided they don’t want children regularly have their decision questioned by strangers and acquaintances alike. I AM angry that a social expectancy has developed that I should spend chunks of my hard-earned wages on getting most, if not all, of my pubic hair waxed off (i.e. ripped out). That anger is ok, it is good in fact. It can be used as a motivational tool to try and uncover the causes of potential damage to women’s esteem and prospects.

So what about you? Do you suspect you maybe a WAB? What bullshit have you uncovered recently?

Wednesday, 21 December 2011

Recycled Jumper Mittens

Can you tell that Patty just bought the Hipstermatic app for his new i-phone?! I love how he has managed to make this image poignant and contemplatory, when actually all that was going through my head was, 'Shit I'm freezing, where's the poxy train?'!

What it does show is how genuinely useful my recent mittens creations are. My boss bought this pattern from Etsy with an eye to finding a use for all the felted up and moth-eaten knits we receive. Oh, how we have used and abused this pattern! We've made a stack of them in all different colour/pattern/texture combinations.

This particular pair is my own. My boss gave me this felted up leopard print cardigan ages ago, knowing how into animal print I am. I was planning on cutting it up and using sections 'cut-n-shut' with other knit or sweat to make a new jumper or cardi. However, I haven't got round to that and the inspiration for how to approach that has been lacking, so most of the cardi became these mittens instead.

The outer mitten is made from three main pieces, plus the ribbing harvested from the initial cardi/jumper/sweater. The lining is made from the same three main pattern pieces, but stitched together with a slightly wider seam allowance so that the lining ends up a bit smaller and therefore fits better inside the outer mitten part. I used parts of a purple cashmere jumper that moths had attacked for the lining which makes them soooo soft inside. Because these don't use very much fabric and the pattern pieces are quite small, it's quite easy to harvest the usable parts from stained or moth eaten woollen garments that would otherwise be heading to the textiles recycle bin.

As you can see, my leopard mittens are made by using just one garment for the outer sections. But you can have lots of fun messing around with different combinations if you have a few unwanted/unwearable woollen garments at your disposal. Here's a small selection of the pairs of mittens I've made over the last few weeks:

The pattern also includes mens and childrens sizes. I'm really into making these as gifts, because people tend to be a bit more open to wearing crazy mittens when the flash of colour is limited to a small part of their whole outfit.


If, like me you are skilled in the art of unintentionally felting woollen jumpers, then you're in luck! You can give me new life to that unwearable garment whilst being comforted by the knowledge that shrunken, felted wool makes for warmer and more weather-proof mittens than unfelted wool! My felted leopard ones are so toasty. I'm never going to discard the results of my shrunken laundry accidents ever again!

Monday, 19 December 2011

Poetry & Clothing Project: November

Alrighty, today I can finally share with you a garment that I made before this whole Poetry & Clothing project had even been invented. The first garment I got to make for myself whilst working at TRAIDremade was this remade sweatshirt with a contrast Peter Pan collar that made back in November 2010. Well, Harriet saw that on this lil' blog of mine and asked me to make her something similar. It took me until the following March to finally get it completed, and then the Spanish postal system managed to lose the damn thing. Thanks for that, Spanish postal system (AKA Correos). I have had many a beef with Correos, but now is not the time or place...

Anyways, I really enjoyed making the sweatshirt for her and it somehow sparked the idea for the P&C project, which I started the following month (April). Eventually, the package conatining the sweatshirt reappeared in the UK by which my sewing-thoughts had already turned to warmer weather garments, so the sweatshirt got put away until the weather got nippier again. Well, in an unprecedented show of sewing-project organisation, I spent much for my sewing time in November making a long list of Christmas gifts. To give me more time for that, I decided November's P&C garment could be the long-lost sweatshirt which Harriet had first desired a whole year before! I really hope she hasn't gone off the idea of it after all that time!

So, in much the same way at my own Peter Pan collar sweatshirt remake, this garment started life as an unwanted mens sweatshirt. I recut the pieces for a closer, cuter, more feminie silhouette with slight gathering at the sleeve head and 3/4 length sleeves. The over-sized collar is made from a scrap of red and white spotty cotton, and the buttons, which IMO look distinctly edible, reflect that pop of colour.

And on to the more interesting half of this exchange: the poetry! Harriet's poem that I am sharing with you today was written in response to October's P&C outfit:

October

We cover our fabrics with leaves, birds, butterflies, strawberries, animal prints and wander around urban jungles in this way, imagining ourselvesto be somehow wild and essential because of it. I follow Gaudi's curves as though they were sculpted under the majestic reign of nature herself. And yet in these reprints there is something luxurious - the way we love to refer to grass and sky as velvet. There is lavishness in simplicity - something strangley opulent and timeless about a collar which bends like the polished wood of a hand-carved pew and at the same time, something shocking about sitting in a church dressed in leopard print. What I love about this church is the way it ridicules austerity. I love the playfulness, the festivity, the way it allows for bawdiness, greed and generosity all at once. And as I sit there, I notice something strange happening. I become camoflage. I slowly morph into something as imperceptible as dust. My skin, such as it is today, is at home here. The black and orange make perfect sense among the huge pacific shells filled with holy water, the purple butterfly wings flung open against the sky and the ghosts sliding in on flakes of dust, settling on slices of glass pineapple. Like me, they are quietly measuring the circumference of light.
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