Goodbye 2014. Hello 2015!!!

I ain't going lie, 2014 has been a hell of a year for me personally. It was my first full year of being a mum, a status that I'm still getting my head around and still trying to successfully combine with the other facets of my life. I moved to a new town, a change which hasn't proved as positive as I hoped. And arranging both of our working lives around child care is still far from sorted. But let's talk about sewing...

Longer term readers of my blog will no doubt have noticed that it's obviously been a less productive year than previous ones. But sewing still played a major role in my life in 2014, and I feel that in some ways it's become more important to me than ever before. I've always felt that sewing connects me to the  women in my family: my mum, grandmothers and great aunts. Now I have a little daughter and I've found that providing for her by making her clothes has deepened and enriched that connection further.

My Sewing-Related Highlights of 2014:

• Releasing my Dolores Batwing sewing pattern. After A LOT of work over A LONG period time, my self-drafted pattern was finally born! I couldn't have done it without the massive important contribution made by Claire, and I'd also like to thank again the wonderful pattern testers and pattern reviewers who gave up precious time and fabric to help get this 'out there'. 

• Hosting Me-Made-May'14. MMM is always a high point in my year, and this year's was as awesome as ever. The Flickr group and Pinterest board were/are a hot bed of sewing inspiration and seeing so many wonderfully creative and talented people proudly wearing their creations makes me feel really emotional. Thanks so much to everyone who took part this year.

• Taking part in Kid's Clothing Week. This simple sew-along, to sew kid's clothing for at least one hour a day for a week, brought me a lot of joy. Before signing up to take part in KCW, I don't think I'd realised how far sewing was getting pushed down my list of priorities. This week honestly opened my eyes to how much I need it to be a regular part of my life, and how much fun making clothing for Dolores is in particular. 

• Taking part in OWOP. Thanks to lovely Handmade Jane, OWOP was back in 2014. Like MMM, I find OWOP so useful because it highlights the possibility of a genuinely wearable handmade wardrobe. Seeing multiple versions of other peoples' favourite patterns is also super fun and great for getting ideas for future projects. 

• Taking part in the Perfect Pattern Parcel blog tours. I was lucky enough to be involved in four PPP's promotional blog tours during 2014, making the September dress, Staple dress, Bronte top and Daphne bag. The Staple dress in particular has become one of my favourite garments to wear EVER and I never would have thought to make it if it had not been receiving those sewing patterns to try. The Donors Choice charity they support really is a great cause as well, and I'm more than a little excited to find out what parcels they come up with next year...

Favourite Makes of 2014:

Sewing for myself took a bit of a back seat in 2014 as my body shape and it's 'uses' changed somewhat. With a lot more of my time spent in playgroups and crawling around the floor, I didn't have much use for lovely new clothes anyway. Plus when I did make something for myself, the results were often flawed or impractical and have seen little to no subsequent wear (e.g. the denim sweet shorts, Holly playsuit and Hudson pants). The major exception is my navy Bronte Top (pictured above) that I made whilst testing the pattern. It has been in constant rotation since the weather cooled off enough to wear it after the summer.

It probably won't surprise you to learn that my faves were all things I've made for Dolores. The refashioned men's shirt to baby blouse (pictured below) was a real success for stylistic and ethical reasons IMO, and the results from taking part in Kid's Clothing Week also came out really well.

Plans for 2015:

I love the end of a year and start of a new one as an opportunity for reflection and refocusing.

• Sewing-wise, my most important aim for 2015 is to simply make time to do it. I've realised that sadly no-one is going to hand me great swathes of delicious sewing time on a platter! Sewing is good for my mental and emotional wellbeing, but I'm the one that has figure out how to fit it into my days, even if it's just for 15-30 mins a few evenings a week. 

• Host Me-Made-May'15. As long as there are members of the sewing community who enjoy and get a lot from taking part, then I'll keep hosting them! Sign ups will start on 1st April 2015. Personally, I've already been thinking about what pledge will be a useful one for me this time round, and I've got a few ideas...

• A recommitment to stash-busting. I unveiled the extent of my stash almost two years ago, and I must confess that it doesn't look much different today! A lot of it has been used, particularly the jersey and knit selection, but there's been quite a few additions in the form of gifts and garments that could be re-made. My stash is now spread over two locations: the shelves and two big bags reside in my daughter's bedroom, and boxes of small pieces and scraps live under my sewing table in the corner of our kitchen. My feelings on the importance of refashioning existing garments and sewing from stash rather than buying new fabric remain the same. So I wish to continue to make lovely garments for Dolores, her friends and for myself from a lot of what I already own.

• Make wearable, useful clothes. With limited sewing time and storage space, anything I make has to be something that will get worn regularly by whoever it's for. I love that challenge and think I'm getting fairly good at figuring out what styles will fit with my lifestyle and existing clothing selection, however I need to spend more time on getting a good fit, and that may include making more of the dreaded toiles! I've got some great patterns and fabulous fabric pieces lined up, I can't wait to get cracking. 

Thank you all so much for taking time to read this blog. It means so much to me to have this space to share my thoughts and creations, and although I regret that I don't get as much time as I'd like for reading and commenting on others' blogs, I really appreciate every single comment that you leave here so much. I wish you all a thoroughly wonderful New Year!  

Refashion Friday: Overcoming Refashioning Fears...

Today I want to talk a bit about overcoming any fears that might be holding you back from giving refashioning a try. I guess I'm specifically talking about the fears some people have about potentially 'ruining' an existing garment in their attempts to refashion/upcycle/alter/remake it into something new.

I totally can relate to these fears. I felt like that myself for A. Long. Time. Whether it's a garment you've had for years that is no longer worn, something donated from a friend or relative, or an item you thrifted, the possibility of making what could potentially still be worn into an un-wearble mess leaves lots of us in a state of paralysis. But then sadly the garment stays un-refashioned (or 'fashioned'?!) and it still isn't getting worn by anyone anyway.

If this is the case, then you need to objectively ask yourself whether or not the garment as it stands is still in good condition with years of wear left in it. If the answer is 'yes' and that fact is putting you off from taking the scissors to it, if you can't get over that then it's probably better to 'set that garment free' and donate it to some else who will wear it, or send it to the charity shop/thrift store/op-shop and hunt yourself out a new project starting point. However, if the answer is 'no' you really can't imagine anyone wanting to wear the garment for a number of years as it currently is, then try to give yourself carte blanche to have a go at reworking it if you are inspired to do so.

(image source: Renaissance Girl)

Refashioning Starting Points Sourcing

Your Wardrobe:

One of the best things about refashioning projects is that they needn't cost you a bean. If you fit into the category of being a person who lives in the developed world in 2013, you will probably have some garments in your wardrobe that you haven't worn for upwards of a year. That's just normal. Why not go 'thrifting' in your own wardrobe and unearth one of those items and have a think about how you could refashion it into something that you will potentially want to bring back into regular wardrobe rotation? Laura from Renaissance Girl recently did just that by turning an old pair of jeans into some super-cute Summer shorts (pictured above) inspired by my recent Refashion Friday post. (Thanks Laura for allowing me to use your image in this post.)

Fears of refashioning items from our own wardrobes can sometimes arise from having already formed an emotional bond with the item. I'm not suggesting you go ahead and cut up your teenage Nirvana t-shirt or wedding dress here! If something really is special, and holds important memories, then maybe it would be better to get it out of your wardrobe and put somewhere designated for important, special things. Just a thought. It's important to figure out just how genuinely deep your bond with an item is. If, upon reflection, you aren't particularly bothered about an item anymore (if you ever where), then there's no loss in having a go at reworking it. If you do really like something that you no longer wear remember that, if the refashioning project goes well, you'll be breathing new life into it and can enjoy it afresh rather than leaving it languishing at the depths of a drawer. 

Charity Shops/Thrift Stores/Op-Shops/Jumble Sales/Car Boot Sales/Yard Sales/etc.:

The joy of finding refashion-able treasure in these locations over your own wardrobe is that you haven't formed an emotional bond with these garments, and in fact they've already been rejected for one reason or another by their original owner so you have no need to feel guilty if your project doesn't work out! However, you may experience the same fear as noted towards the top of this post that you don't want to 'ruin' something that someone else could otherwise enjoy. You could try to overcome this by asking yourself whether or not the garment in question is such an unusual garment that anyone else who might want to buy and wear it couldn't find something similar in the shop or elsewhere. If you really aren't confident enough in either your refashioning skills or the idea you had for reworking a garment you really like, then why not buy and keep hold of it for a while to give yourself time to overcome the lack of confidence? If you find you haven't done anything with it a year later, you can always donate it back to the charity shop. 

(image source: A Good Talking To)

Another way to avoid the fear of messing up a lovely garment is to thrift a garment that you like, but don't feel passionately about. Or a garment that is ubiquitous like a mens button-up shirt, t-shirt or pair of jeans. Then if the project doesn't go well and you end up chucking the whole thing in the textile recycling bin, the worst that's happened is you had a learning experience plus you donated some cash to a good cause (be that to charity or the person who was trying to scrape together a few quid by selling their old clothes). This is how Jacq C from A Good Talking To overcame her fear of refashioning, and as a result she freed herself up to create a gorgeous skirt (pictured above) from an over-sized thrifted top! (Thanks Jacq for allowing me to use your image in this post.)

Finally, I think it's important to remember that having an idea, trying it out and it going 'wrong' is way more valuable than never trying it out at all. What are you going to learn from keeping the original notion in your head? And if the project takes an expected tack, ride that wave, how exciting! Plus, an hour spent in a creative pursuit, even if the outcome wasn't quite the wearable delight you intended it to be, will nourish you in a way that doing something like watching TV for an hour probably won't. Not that your project is destined to go wrong, I'm just talking about the 'worst case scenario', which is of course what we have to address if our fears of what we want are to be banished! Happy Refashioning (or anything else you'd really like to be doing), people. 

Guest Post: Part of the Process

(image from the Brighton Craftaganza flickr group)

Yesterday I went to the Brighton Bloggers' Bash, a meet-up arranged for local bloggers to get together at Super+Super HQ, make contacts and discuss their blogging hobby/job. I met some nice people including a lovely lady who doesn't currently have a blog, but is a prolific sewer and would love to start a sewing blog (having had a couple of false blogging starts in the past). However, she feels something was creating a barrier, and she with so many sewing bloggers out there she might struggle to find a unique voice and she is also in awe of many of the writers of the most popular blogs. 

This morning I chatted with Patty over coffee about this lady's dilemma. He had some (typically) insightful things to say on the subject, so I asked him to write a guest post for my blog to share them with y'all. Check it out peops, this is the good shit...

One of the most common reasons people give preventing them from doing something creative is that it has already been done. Lots of people are interested in doing something such as making garments, starting a new blog or any kind of creative activity. Many people feel daunted by the plethora of existing blogs and huge range of existing makers in any given field. It is as if there should only be a certain number of people in any creative field, as if it were a party in a small house and could get too crowded.

I believe this is a manifestation of a fundamental misunderstanding of what creative activity is. This misunderstanding is deeply rooted in our culture. We learn it at school and through the media. We are taught that creativity is the expression of a higher ideal in a finished object of great beauty and skilled execution. This is wrong in approximately fifteen different ways. It is complex but basically it comes down to perception of value.

In our society value resides in finished products. Art is one category of the production of products. Craft is another. We look with lust and desire at finished products and believe they are created by specialists using talents beyond our mortal capacity to understand. We are thereby separated from our own creative power which is what makes us depend on shopping to satisfy all our psycho-spiritual needs.  

From outside the house party of creative practice looking in we see only finished products. We mistake the product for the practice. We are excited by what is happening but like Peter Pan we find we cannot fly in through the window ultimately because of our own self limiting beliefs. It’s important to understand that EVERYBODY feels this. Even those who appear to be such ‘natural’ creators, those that have identified themselves as ‘creatives’ early in life have had some crucial intervention, some teacher or parent who told them they had talent (thanks Mrs Cheeseman) so in a way they are beholden to the same false idea as all the rest anyway.

Of course praise is not enough. It will get you through the door but you won’t stay if you don’t find the secret, and the secret is process.

The only difference between the maker and the aspiring maker is that the maker realises that the process is everything, the final product is merely an effect of the process.

Process is everything. Originality is a fetish that only makes sense in terms of intellectual property law. Forget about originality. Even if you took an idea verbatim from somebody else, your process of making it would be unique, the journey you took would be of value to you and by extension to those around you. This is especially evident in craft where similar patterns produce uniqueness and process is celebrated, where bloggers share the process of creating and pontificate on how it changes them and their lives. This is what ‘Art’ wishes it was.

The value is in the process and the finished product is a continuation of that process, affecting the lives of others, that scarf you made for your dad lives on in the process of his life. Value itself is a living process not to be confined to a number or a thing.

We are conditioned to understand the final product as the container of quality. In order to believe this we have to believe that each category of products is produced by specialisms we cannot comprehend. This is where ‘talent’ comes in. 

Reinforced by the talent shows that now dominate our TV screens the biggest of all lies is talent. The very idea that some tiny percentage of people ‘own’ creativity by some genetic twist of fate is laughable. There are no ‘creative people’. Creativity is our species defining characteristic. We all need to use it, it is a psychological prerequisite for a happy life.

Anything can be learned by anyone.

So don’t stand outside the party waiting for an invitation. Don’t be confused by the dazzling heights that other bloggers and makers have achieved, look at the processes they are engaged with. Each process is unique, each one fills a vital gap in that person’s life, without this deeper engagement they would not be able to continue the work for years and years.

Success, slick production values, money, attention, these are all byproducts of a process of self discovery that will last a lifetime. And they may never come. If the process is right for you it won’t even matter anymore. Any stage of that process is as essential as any other. That includes the first six months however awkward and frustrating they may be.

More than anything else consider this: we are in a big phase of change, we are renegotiating our cultural values and we need everybody to join in the debate. This includes you. We need your unique process, we need your unique contribution. Making stuff is cultural production. Nothing is trivial.

Now does the house party still look full to you? Ring the bell then go through the door.

It’s all part of the process.